The Pícaro as Jester in the Spanish Picaresque

Abstract

Jean Blacker. The Faces of Time: Portrayal of the Past in Old French and Latin Historical Narrative of the Anglo-Norman Regnum. Austin: University of Texas Press, 1994. xv + 263 pp.

Gretchen Rous Besser. Germaine de Staël Revisited. (Twayne's World Authors Series, 849.) New York: Twayne Publishers, 1994. xvii + 181pp. $23.95.

John Claiborne Isbell. The Birth of European Romanticism: Truth and Propaganda in Staäl's 'De l'Allemagne, 1810–1813. (Cambridge Studies in French, 49.) Cambridge University Press, 1994. xiii + 269 pp. $59.95.

Michael Sprinker. History and Ideology in Proust: A la recherche du temps perdu and the Third French Republic. (Cambridge Studies in French, 50.) Cambridge University Press, 1994. xii + 232 pp. $54.95.

William J. Kennedy. Authorizing Petrarch. Cornell University Press, 1994. ii + 301pp.

M. J. Woods. Gracián Meets Góngora: The Theory and Practice of Wit. Warminster: Aris and Phillips, 1995. vi + 120 pp.

Cristóbal Cuevas García, ed. Jardiel Poncela. Teatro, vanguardia y humor. Barcelona: Athropos, 1993. 302 pp.

Roberta Johnson. Crossfire: Philosophy &; the Novel in Spain, 1900–1934. The University Press of Kentucky, 1993, xi + 234 pp.

Kenton V. Stone. Utopia Undone: The Fall of Uruguay in the Novels of Carlos Martínez Moreno. Lewisburg: Bucknell U P, 1994. 217 pp. $35.00

Carol Maier, Roberta L. Salper, eds. Ramón María del Valle-Inclán: Questions of Gender. Lewisburg: Bucknell University Press; London and Toronto: Associated University Presses, 1994. 264 pp.

Walter Mignolo. The Darker Side of the Renaissance. Literacy, Territoriality, and Colonization. University of Michigan Press, 1995. 426 pp. $39.50.

José Raimundo Maia Neto. Machado de Assis, the Brazilian Pyrrhonian. (Purdue Studies in Romance Literatures, 5.) Purdue University Press: 1994. 231pp. $35.95.     

Honours for Glasgow staff

Political Geography of the Twentieth Century: A Global Analysis. Edited by Peter Taylor, 245 x 184 mm, xiii + 269 pp, Belhaven, London, 1993, pbk ISBN 1–85293–1973, £12.95.

Environmental Management in the Soviet Union. By Philip R. Pryde, 228 x 153 mm, xiii + 314 pp, Cambridge University Press, 1991, pbk ISBN 0–521–40905–5, £10.95.

Green Development: Environment und Sustainahility in the Third World. By W.M. Adams, 216 X 138 mm, 273 pp, Routledge, London, 1992, pbk, ISBN 0–415–08050–9, £12.99.

Debt and Development. By Stuart Corbridge, 230 x 153 mm, 231 pp, Blackwell, Oxford, 1993, hbk ISBN 0–631179046, £35.00, pbk ISBN 0–631181383, £10.99.

Contemporary Rural Systems in Transition: Vol. 1 Agriculture and Environment, Vol. 2 Economy and Society. Edited by I.R. Bowler, C.R. Bryant and M.D. Nellis, 240 x 160 mm, viii + 277 and xx + 314 pp, Wallingford, CAB International, 1992, hbk, ISBN 0–85198–813‐X (two‐volume set), £70.00.

Controlling Tropical Deforestation. By Alan Grainger, 232 x 152 mm, 310 pp, Earthscan, London, 1993, pbk, ISBN 1–85383–142–5, £14.95.

Deforestation in the Postwar Philippines. By David M. Kummer, 228 x 152 mm, xvii + 178 pp, University of Chicago Press (Geography Research Paper 234), Chicago and London, 1992, pbk, ISBN 0–226–46169–6, £13.50.

Nineteenth‐Century Cape Breton — A Historical Geography. By Stephen J. Hornsby, 230 x 153 mm, 304 pp, McGill‐Queen's University Press, Montreal and Kingston, 1992, hbk, ISBN 0–7735–0889–9, £33.95.

Challenge of the Natural Environment. By B.J. Knapp, S.R.J. Ross, and D. McCrae, 236 x 135 mm, 272 pp, Longman, Harlow, 1989, pbk, ISBN 0–582–35597–4, £9.99.     

Jaume Cabré's Viatge d’hivern and the Short Story Cycle

Critics have been uncertain as to the genre of Catalan writer Jaume Cabré's 2000 book, Viatge d’hivern. The confusion, I argue, is due to the fact that the volume is a short story cycle, a literary form situated midway between the novel and the short story collection. Forrest Ingram differentiates among composed, arranged, and completed cycles, and Cabré's comments in his Epilogue to Viatge d’hivern indicate that the book is an example of the third category. While he composed its fourteen narratives over a period of years, when he revised them for inclusion in a single volume he discovered that various threads, some secret and others more obvious, connected the stories. In this essay I examine ways in which theme, structure, and motifs, as well as recurrent imagery and wording, form a web of associations among the individual units of Viatge d’hivern.