The use of multiple discriminant analysis in classifying prehistoric phytolith assemblages recovered from cooking residues

In the investigation of the dispersal of maize (Zea mays ssp. mays) from south-central Mexico to the northern and southern limits of agriculture in the Western Hemisphere archaeologists and paleoethnobotanists are increasingly turning to the microbotanical record. Recent analysis of phytolith assemblages from charred cooking residues on pottery sherds in central New York recovered using 209 rondel phytolith variables has identified maize as early as 2270 ± 35 B.P. In this article we use discriminant analysis to re-classify these rondel phytolith assemblages resulting in only seven variables. The results are consistent with those achieved earlier using many more variables and a less formal statistical approach in terms of classification and in similarity of the original and reduced data matrix as seen by the Mantel test and cluster analyses.     

On pottery change and northern Iroquoian origins: An assessment from the Finger Lakes region of central New York

Pots as tools is a concept that has been widely accepted and developed since Braun’s classic 1983 publication. However, in northeastern North America archaeologists continue to use pottery primarily as an aid to culture history and research problems based thereon. In central New York State it has been postulated that a change in pottery forming technique heralds the onset of Iroquoian pottery traditions at around AD 1000. Empirical data on pottery forming and two other pottery traits do not support this postulation. Rather the trends in these traits are consistent with social learning theory and changes in mobility and population aggregation. Following Engelbrecht (1999, 2003) we suggest that a more fruitful approach to understanding the evolution of northern Iroquoian groups is to be found in ethnogenesis theory as described by Moore (1994, 2001).     

Materiality and Autonomy in the Pocumtuck Homeland

The Indigenous people of New England’s middle Connecticut River Valley are often imagined as having been subservient to powerful tribal nations elsewhere. Yet, archaeological and ethnohistorical evidence suggests Pocumtuck independence and autonomy in relations with neighboring Native groups and with Dutch, English, and French colonizers during the seventeenth century. We employ a decolonizing framework, drawing on H.M. Wobst’s critique of the preoccupation with dominance and geopolitical “centers” to analyze this evidence. By framing artifacts, colonial texts, and cultural interactions as both past and present “material interventions,” we can generate better understandings of Pocumtuck political autonomy, agency and identity.     

Irrational amusements,theatre law,and moral reformers in nineteenth-century America: implications for later popular music study

This paper considers several case studies of conflicts between moral reformers active in US cities and venues catering to working-class audiences from the 1860s to 1880s. For moral reformers, theatrical entertainments, particularly forms with no educational or moral purpose, were deeply corrupting and threatened not only the well-being of the individual, but also that of the nation. These case studies show that tensions emerged when popular styles sought to expand their audience beyond their traditional patrons or to move into respectable areas of the city – in other words, when they did not stay in their traditional place. This is also true of the many hybrid musical forms that combined European-based folk or religious styles with African-American music. Forms such as jazz and rock ‘n’ roll did not elicit significant protest until they began to find an audience in northern cities among middle- and lower-middle-class youth. Exploring how laws were changed in response to earlier conflicts adds a crucial historical perspective to popular music studies, which tends to remain firmly focused on music from the mid-twentieth century onwards.     

Charlotte Sophia Burne: Shropshire Folklorist,First Woman President of the Folklore Society,and First Woman Editor of Folklore. Part 1: A Life and Appreciation

Charlotte Burne (1850–1923) served the Folklore Society (FLS) for forty years. She was editor of the massive Shropshire Folklore (1883–6), and the second revised edition of the FLS's only official guide, The Handbook of Folklore (1914). She authored over seventy folklore papers, notes and reviews in Folklore and its predecessors, as well as several articles in newspapers and magazines; she was the first woman editor of this journal (1900–08) and the first woman President of the FLS (1909–10). This appreciation is the first part of a two-part study of her life and works. The second part will be a provisional bibliography of her published works.