11 September 2001: the Italian writers’ response

One month after the terrorist attacks on the World Trade Centre in New York, the Corriere della Sera published an article on the possible future consequences for literature of this horrific event. Some novelists boldly declared their work would not be affected at all, while others observed that their literary visions and perspectives were already responses to life's tragic aspects. Several writers confessed to wondering, at least initially, whether literature henceforth could continue to have any real sense. A decade later, this essay examines the nature of the Italian response. It looks first at the views of those writers who expressed opinions directly to the press or in essay form, and then at a small number of novels (by Tullio Avoledo, Marisa Bulgheroni and Tiziana Rinaldi Castro) and short stories (by Andrea Piva, Andrej Longo and Andrea Canobbio) which have embraced the theme, and which have done so in ways that reinforce the sense of an underlying political and/or cultural aesthetic. Connections between twenty-first-century reactions to 9/11 and the Italian experience or memory of political terrorism and war will be explored, as well as the question of inspiration for novelists, in the particular context of catastrophe or trauma.     

THE BEHAVIORAL COSTS OF ECONOMIC INSTABILITY*

This paper reviews the literature reporting a connection between economic change and behavioral disorder. The literature is separated into individual and aggregate based research and the methodological issues raised by each approach are described. The implications of the research findings for illness prevention, remedial services and economic policy making are discussed. The authors argue that the social costs of mobile capital should be accounted and internalized because social justice as well as Economic and Psychological theory assume that an individual should bear the costs of his or her behavior.     

Translating relics: Victricius of Rouen and fourth‐century debate

This article uses a little‐known sermon by Victricius, bishop of Rouen, as an approach to the fourth‐century debate on the translation of relics. In the last third of the fourth century, the cult of martyrs and their relics was promoted by Damasus of Rome, Paulinus of Nola and Ambrose of Milan, but remained controversial in the western churches. Roman law forbade the disturbance of dead bodies, especially where magic was suspected. Christians as well as non‐Christians were repelled by the veneration of bone, bloodstains and dust, and by the extreme asceticism that was often associated with relic‐cult. The sermon Victricius preached, welcoming to Rouen a gift of relics from Ambrose, is here interpreted as an attempt at cultural translation. Victricius deploys a late‐antique education in rhetoric and philosophy to make relic‐cult and asceticism acceptable. Like many others, he uses the adventus, the ceremonial reception of a visiting emperor or his deputy by local aristocracy and officials, as an analogy for the reception of relics by ascetics and clergy. Exceptionally, he equates corporeal relics with the presence of God; but his unique theology of relics was lost to view.     

Introduction

This introduction will consider how these four papers mark new boundaries of an expanding anthropological project both in their theoretical aspirations and their empirical reach. While the papers address quite different questions, each is relevant to the contemporary relationship between anthropology, indigenous people and the Australian nation. To highlight that relevance I will draw on elements of anthropology's history using some of Stanner's observations in the 1950s. In the last section I discuss some contemporary conditions and criticisms of anthropology.     

Family photographs and domestic spacings: a case study

This paper elaborates the argument that domestic space should be considered as the product of relations that extend beyond the home. It examines one common domestic object – family photographs – and explores how the particularity of this photography and the specificity of its display by white middle-class mothers with young children in South-east England produce just such an extended domestic space. The stretched space co-produced by these mothers and photographs is also a form of stretched time, and it is integrative in complex ways; it contains different kinds of absences which disturb but do not break its cohesion. The paper also discusses why the display of family photographs is done almost exclusively by women.