Family photographs and domestic spacings: a case study

This paper elaborates the argument that domestic space should be considered as the product of relations that extend beyond the home. It examines one common domestic object – family photographs – and explores how the particularity of this photography and the specificity of its display by white middle-class mothers with young children in South-east England produce just such an extended domestic space. The stretched space co-produced by these mothers and photographs is also a form of stretched time, and it is integrative in complex ways; it contains different kinds of absences which disturb but do not break its cohesion. The paper also discusses why the display of family photographs is done almost exclusively by women.     

Geologists and Folklorists: Cultural Evolution and “The Science of Folklore”

As has been made clear by recent inquiries in FLS News (Spittal 1996; Wylie 1966) and the republication of Kathleen Basford's 1978 book The Green Man (1996), there is a great deal of interest in the enigmatic “Green Man,” that foliate head which appears so frequently among medieval church carvings. The term itself came into general usage following Lady Raglan's 1939 article in Folklore, “The ‘Green Man’ in Church Architecture,” but examination of her original work reveals that her choice of the term “Green Man” was, on her own evidence, based more upon inspiration than fact. As a means of beginning an inquiry into the nature and meaning of the phenomenon, the present article is an investigation into the true name of the Green Man.     

William of Norwich and the Expulsion of the Jews

While conducting fieldwork in Croatia in 2000, the author identified and interviewed an elderly gentleman who was present when Milman Parry and Albert Lord recorded an epic singer in the village of Kijevo, Croatia, on 24 September 1934. During follow-up work, scholar Ante Juri?-Aramba?i? conducted interviews concerning the singer's biography. All material is here reported, translated, and interpreted for the purpose of thickening the corpus of Parry and Lord archival materials and for improving our reconstruction, based on the available evidence, of the traditions flourishing in the region during the first half of the twentieth century.     

IMAGINED DIVERSITY

The period that takes in the first term of New Labour in Britain also spans the empowerment of a new elected National Assembly for Wales and the designation of Objective One European structural funds to parts of Wales. Analysis of cultural policy documents from those years finds that the endorsement of an eclectic cultural style as a collective identity for a diverse citizenry is compromised by the implication that it is the Welsh language, rather than diversity itself, that signifies diversity. Scrutiny of proposals for, or assertions about, a “branded” cultural identity reveals inconsistencies between the cultural practices of place‐based communities and the opportunistic affiliations that are deployed in the interests of social and economic development in a “new” information economy.