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Samuel Thévoz 《Modern & Contemporary France》2017,25(1):49-65
Acclaimed by the Parisian Surrealist circles in 1948, Malcolm de Chazal, the French-speaking Mauritian writer and painter, opted for unchartered literary territories in his subsequent works. In the 1950s, he wrote a collection of dramas that tended to decentre his writing practice towards Asian perspectives. References to Indo-Mauritian culture assuredly provided him with a major source of inspiration to deliver a culturally hybrid theatre. Yet Tibet may seem at first a rather unlikely referent in his work. One can nevertheless demonstrate by comparing the author’s numerous references to Tibet that it is not only meaningful in his entire work but also that it is a central and neglected aspect of his geo-literary agenda. 相似文献
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Geoffrey D. Dunn 《The Journal of religious history》2015,39(1):1-13
Evidence for the conflict between two rival candidates for the bishopric of Rome following the death of Zosimus at the end of 418 comes from a group of twenty‐five letters, most of which are official letters to and from Emperor Honorius (the rest being from other imperial officials and the emperor's sister), all but one of which are found in the Collectio Avellana. Interestingly, we have nothing preserved from the two episcopal claimants about this matter. The group of letters chronicle imperial concern for the preservation of public order. Do we have here an example of imperial interference in episcopal elections in Rome? In this article a careful examination of the letters reveals that Honorius was concerned only that the Roman church's procedures had been followed (Collectio Avellana, Ep. 15), which should determine who was lawful bishop. Sociological Conflict Theory is employed to investigate the nature of the evidence to address issues of the nature of the dispute and its participants, what values were contested, how it escalated, and how it was resolved. Such an approach makes clear that our evidence focuses on the role of the emperor and only incidentally tells us of the thinking and strategy of the two candidates. The final decision was made not on the merits of the candidates and the legality of one of the two elections, but upon Eulalius' violation of the conditions imposed upon the two rivals while the dispute was to be settled. Despite the emperor's concern only to facilitate the church settling this conflict itself, in the end it was an imperial measure that determined the outcome of the disputed election. 相似文献
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Samuel Gerald Collins 《History & Anthropology》2015,26(4):419-436
2015 has been declared the year of the “Internet of Things”, the promised (or threatened) era when our commodities communicate among themselves. But even the most optimistic prognostications cannot conceal deep ambivalences about objects and agency. How do we think about our things when they communicate and act independently of us? How do we frame our relationships with them? How do we articulate distributed intelligence? And how are others imbricated in those relationships? Yet, anthropologists have been asking these questions for some time, and, in this essay, I revisit some ghosts of anthropology's past in order to prompt spectral evocation of these anthropological futures. Through revisiting anthropological fascinations with the nineteenth-century séances, phantasmagoria, commodities and auras, this essay looks to nineteenth-century confusions not only to reflect on the confusions of the present, but also to gesture to possible futures where our lively things might help us challenge suspect dichotomies of human and non-human. 相似文献
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Samuel Merrill 《International Journal of Heritage Studies》2015,21(4):369-389
This article considers the implications of framing subcultural graffiti and street art as heritage. Attention is paid to subcultural graffiti’s relationship to street art and the incompatibility of its traditions of illegality, illegibility, anti-commercialism and transience with the formalised structures of heritage frameworks. It is argued that the continued integration of street art and subcultural graffiti into formal heritage frameworks will undermine their authenticity and mean that traditional definitions of heritage, vandalism and the historic environment will all need to be revisited. The article contributes to the current re-theorisation of heritage’s relationship with erasure by proposing that subcultural graffiti should be perceived as an example of ‘alternative heritage’ whose authenticity might only be assured by avoiding the application of official heritage frameworks and tolerating loss in the historic environment. 相似文献
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Geoffrey King 《Arabian Archaeology and Epigraphy》2006,17(2):248-252
Gasparo Balbi, the state jeweller of the Venetian Republic, visited the eastern Arabian coast in c. 1580 and recorded many of the places in the modern United Arab Emirates for the first time, giving them the names by which we know them today, albeit in sixteenth-century Italian transliteration. While some places are readily recognizable, Balbi's terms Delmephialmas and Sircorcor present problems. It is suggested that Delmephialmas is the island of Dalmâ off the coast of Abu Dhabi but with an additional phrase as a suffix, giving a meaning approximating to Dalmâ, fî-hâ mâ' , i.e. 'Dalmâ, there is water there'. The absence of any reference to so major a port as Julfâr in modern Ra's al-Khaima by Balbi is remarkable. It is suggested that Balbi's term Sircorcor is an eliding of al-Sirr as a synonym for Julfâr combined in error with Khawr al-Khuwayr to the north of Julfâr. 相似文献