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Recent excavations conducted by Proyecto Itza investigated a Late Postclassic (a.d. 1400–1525) community at Nixtun-Ch'ich’, Petén, Guatemala. This community was likely occupied by a faction of Itza Mayas called the Chak'an Itzas. Recent work focused on the community's civic-ceremonial architecture and nearby residences. The former was dominated by two colonnaded halls standing abreast. These buildings, believed to have been popol najoob (council houses), likely represented socio-political dualism in Chak'an society. The halls included various sculptures that seem largely associated with the deity Itzamna mounted into architecture so that they were clearly on display. Most sculptures were associated with one of the two halls suggesting that one faction was more powerful and more strongly advertised its connections with Yucatán. Excavations also revealed the avoidance of masonry in residential areas, which differentiated Chak'an residences from their civic-ceremonial areas and also distinguished Chak'an residences from those of their neighbors.  相似文献   
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This article explores English national identities in the early twentieth century through the regional case study of Shropshire. Building on existing research on English regions, this article addresses the scarcity of border case studies. I argue that Shropshire was perceived as a border region that, at the same time as being incorporated into the model of the South Country, was also powerfully shaped by its proximity to Wales. Shropshire was valued as an escape from commercial modernity through its countryside landscapes, as a gateway to the past through its buildings, place-names, and folk customs, as a borderland of medieval conflict with Wales, and as a mysterious region of superstitions and the supernatural. This article suggests that the motifs and themes which worked through the images of ‘Shropshire’ and ‘England’ supported an imagination of diversity, multiplicity and contradiction—not solely one of national unity.  相似文献   
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The Dakota-U.S. War of 1862 resulted in the largest mass public execution in U.S. history and the forced exile of Dakota people from their homeland. Drawing on work on memorials and commemoration in cultural geography, we explore how events in the immediate aftermath of the conflict have been remembered and marked in the landscape of southern and central Minnesota. Through three case-studies we show how various material practices and discourses of remembrance have emerged in different communities at different times and on different scales. While markers and statuary commemorating Taoyateduta (Chief Little Crow) in the town of Hutchinson represent a triumphalist discourse, memorials at the site of the mass public hanging of 38 Dakota warriors in Mankato have sought reconciliation and mutual forgiveness between European Americans and Dakota people. Unlike these permanent site-specific memorials, the biennial Dakota Commemorative March physically retraces the 150-mile forced march of Dakota women, children, and elders in 1862 and involves the ceremonial placing of wooden markers at every mile along the route—a large-scale commemorative practice that goes beyond reconciliation to promote the formulation of a collective “counter-memory”, reclaim Dakota culture, and decolonize their traditional and sacred homeland.  相似文献   
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Judicial reform and promotion of the rule of law are at the very top of the political agendas of many developing countries. Moreover, in the context of democratization and a growing concern for human rights and citizenship, many social groups are prepared to use the law as a means to challenge the State. This article looks at how a group in Mexico used the law to resist the State's attempt to expropriate land for urban development. The law was used as a method of opposition as well as a symbol, by allowing the resistance to be represented in the form of ‘rights’. In so doing, the legal discourse exposed deeper concerns for justice, ethnicity and nationhood. The solution to the conflict, however, is shown to bear little relation to either the legal framework which structured the resistance or the legal principles which the confrontation sought to establish.  相似文献   
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Studies of the organization of Maya pottery production have been pursued via numerous methods but without theoretical models. I review available data on production of Late Classic southern lowland Maya polychrome pottery in light of my calendrically based may model of geopolitical organization. I conclude that: (1) production arrangements vary by “kind” of pottery; (2) “craft specialization” and “workshops” are inappropriate concepts; (3) study of polychrome production necessitates multiple approaches, including analysis of decorative content; (4) better “bridging arguments” and “middle-range theory” are needed; (5) figural polychromes were “inalienable” wealth goods; and (6) they were painted in palaces of primary and secondary centers—may and k'atun seats in the model—in realm-specific signature styles.  相似文献   
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