The Paleolithic of Dzungaria (Xinjiang,Northwest China) Based on Materials from the Luotuoshi Site

The paper reports the results of an analysis of surface collections of artifacts made at the Luotuoshi site in Dzungaria, Xinjiang, northwest China. The site was discovered in 2004 by a joint Chinese-Russian-American archaeological expedition. A techno-typological analysis of the artifacts was carried out noting aeolian abrasion of the artifacts’ surfaces. This technocomplex is quite homogenous and is characterized by a combination of Levallois-like and subprismatic blade-based reduction techniques. Analogs of the Luotuoshi assemblage have been identified within the lithic industries of the Altai, the Orkhon-1 and Tolbor-4 sites in Mongolia, and at Shuidonggou in the Ningxia Hui Autonomous Region in China, all of which have been attributed to the Early Upper Paleolithic. Luotuoshi is the first site associated with the blade-based Early Upper Paleolithic discovered in northwest China and its particular features make it possible to correlate this technocomplex with those from southern Siberia and northern Central Asia.     

鬼斧神工神来之笔——简论乾隆时期陶瓷中的奇巧之作

乾隆时期是清代社会发展的鼎盛时期．各类御用工艺品的制作在中国古代工艺美术史上占有重要地位,形成了最后一个繁荣阶段。景德镇御窑厂瓷器制作工艺在乾隆时期达到了陶瓷史上的最高水平．无论是数量还是质量均达到了历史的顶峰．瓷质之精细,釉面之莹润,造型之新奇,色彩之绚丽,可谓登峰造极。正如《陶雅》中评价：“倡条冶叶,不乏奇丽之观。”《饮流斋说瓷》中也说：“至乾隆,则华缛极矣,精巧之致,几乎鬼斧神工”。当时凡是日常生活中所用器物,均可用瓷器来仿效或取而代之,清人朱琰在《陶说》中曾作过全面概括,他在谈到文房用具时说,     

Authenticity and heritage conservation: seeking common complexities beyond the ‘Eastern’ and ‘Western’ dichotomy

ABSTRACT

This article challenges the claimed gulf between ‘Eastern’ and ‘Western’ concepts and approaches to heritage conservation through an analysis of the common complexities surrounding authenticity. The past few decades have witnessed an important critique of ‘Eurocentric’ notions of heritage conservation, drawing on ‘non-Western’, particularly Asian, contexts. Authenticity has been a core principle and defining element in this development. Endorsed by a series of charters and documents, a relativistic approach emphasising the cultural specificity of authenticity has been introduced alongside the European-originated materialist approach in international policy and conservation philosophy. However, the promotion of Asian difference has also contributed to an increasingly entrenched and unproductive dichotomy between ‘Eastern’ and ‘Western’ approaches to heritage. This article reveals common complexities surrounding authenticity in two countries crosscutting this dualism – China and Scotland. Drawing on a number of ethnographic projects, our analysis identifies themes that characterise the experience of authenticity across different cultural contexts. It contributes to a more nuanced understanding of the evolving relationships between heritage conservation and contemporary societies with important implications for global heritage discourses and collaborative ventures crosscutting ‘Eastern’ and ‘Western’ contexts.     

布币流通的历史解释

中国的货币常常铸有地名,这些看似零散纷乱的古地名,应是有系统地组合,例如,以单一国家而言,相同地点分别刻铸在不同类型布币上;全面性来看,将这些地名回归地图后,它们有规律地排列,意味着城市发展具有脉络依寻,它可能基于某种因素或优势而发达壮大,否则,地名不会集中在某些区域。货币是商业的产物,具有流通性,今日在非铸币国挖掘出他区货币,正是流通性之展延。不同体系的货币也会彼此影     

城市长租公寓的空间布局与影响机制实证研究——以深圳为例

长租公寓作为住房市场的新兴业态，是贯彻国家“租购并举”住房政策的重要保障。本文以深圳为例，基于迈点研究院的数据，通过GIS空间分析工具，探讨长租公寓的空间布局及影响机制。研究表明：(1)深圳长租公寓空间布局呈现空间集聚性、距离衰减性、类型分异性特征，具体表现为紧邻中心城区的空间集聚性，从中心城区边缘向外围递减的距离衰减性，酒店、公寓、房地产系长租公寓热点区呈中心城区向外扩展态势的类型分异性；(2)地铁、超市商城、常住人口是影响长租公寓空间布局的主要因素，其影响作用存在空间异质性；(3)运用地租和新消费者理论，从供求视角构建长租公寓空间布局的影响机制。本研究可丰富新兴住房业态空间集聚模式和中国住房研究。     

构建中国考古学方法论体系——张忠培《地层学与类型学的若干问题》导读

一．中国考古学方法论的经典之作 1985年我考回母校吉林大学读硕士，张忠培先生专门为我们几个研究生开设了《考古学方法论》课程。这个课程的上课方式是以先生讲授为主，但他没有照本宣科，而是开放式地对相关问题展开讨论。     

指纹元素分析对南宋郊坛官窑的起源研究

选取30个南宋官瓷样品、2个效坛官窑的原料、紫金土和4个现代仿官瓷样品进行中子活化分析（NAA）,测定每个样品中36种微量元素的含量。从这36种元素中挑选出9种指纹元素的含量进行散布分析。结果表明：南宋官窑的釉料和胎料产地明显不同;南宋官窑有着长期稳定的釉料和胎料产地;遗址缸内的原料（35#）、练泥池内的原料（36#）、紫金土（37#）既不同于古官瓷的釉料,也不同于胎料。练泥地内的原料（36#）比较接近于胎料。现代官瓷的釉料和胎料与古官瓷的明显不同,说明它们的产地不同。     

西周时期时间观述论

西周人们继承和发展了以往的记时方式,能够利用年份、四季和月相来表达自然时序。人们创造和享受为自己服务的岁时文化的同时,服从于特定的时间规范,使得社会自身的运作完全在顺时意识支配下进行。客观时间内化为主观时间,具有了更多的伸缩性。