To be and to continue being a cog: the conservation of the Bremen Cog of 1380

The conservation project for the Bremen Cog of 1380 took 38 years from salvage to presentation of the ship to the public in the Deutsches Schiffahrtsmuseum in 2000. The ship was salvaged from the River Weser in about 2000 pieces, and stored in water tanks. A new museum was built, and the Cog reassembled from the waterlogged timbers. The ship was reconstructed with most of the weight being taken by the ceiling of the hall via a steel-rod hanging system. Then a conservation tank was built around the hull, and a novel two-step PEG-treatment applied, especially developed for the Cog. In two consecutive baths PEG 200 and PEG 3000 stabilized lesser degraded and heavily degraded wood against shrinkage, splitting, and warping. After cleaning, the wood looks dark brown, dry, and natural. The extraordinary project is regarded a success.     

Civility,Male Friendship,and Masonic Sociability in Nineteenth‐Century Germany

Largely neglected by historians who assume that its heyday passed in Europe with the demise of the Old Regime, Freemasonry in fact became a mass phenomenon among German (and French as well as American) middle‐class men in the nineteenth century. Masonic secrecy made possible a form of sociability which allowed men to experience intimate relations with each other. Within the lodge, men could experience the emotional drama of the rituals while, both in public and in the family, men increasingly sought to comply with the ideal of a man ruled by reason. Masonic rituals entailed the implicit message that the most important presupposition for civility, moral improvement and a ‘brotherhood of all men’ was male friendship.     

Casting the Riace Bronzes: Modern Assumptions and Ancient Facts

This article argues that classical archaeologists have seriously underestimated the output of heat required to melt a large quantity of bronze and therefore have wrongly reconstructed the ancient casting process. The idea that sufficient metal for casting a bronze of monumental proportions could be heated in a crucible with a charcoal fire ventilated by bellows is not realistic. The following observations are based on solid foundry experience: Nigel Konstam, a bronze sculptor, for many years supervised the casting of monumental bronzes comparable in size to those from Riace. This article has been written by Herbert Hoffmann drawing on Konstam's notes     

Italian Jews and their ‘political’ reactions to the fascist regime’s anti-Semitic campaign*

ABSTRACT

The article intends to emphasize the political redefinition of Italian Jews in reaction to the fascist aggression and its different answers ‘organized’. Since 1934 there arose strong divisions within Italian Judaism: the real issue of contention, however, did not reside in the attitude towards fascism, but in the judgement on Zionism and postponed a long-standing dynamics. A group of Jews, called ‘bandieristi’ from a magazine called La Nostra Bandiera, on the basis of a ‘fascist’ programme and anti-Zionism, tried to replace the official establishment of the Jewish representatives, the Union Community of Italian Jewish, as a reference to the fascist authorities. The Union was accused by the ‘bandieristi’ of being complicit with international Jewry and Zionism. The confrontation with fascism exasperated the Italian Judaism internal contradictions, putting in long-term dynamic light that preceded fascism and survived the early post-war years.