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101.
ABSTRACT

The term Concotto refers to fragments or patches of hard heated clay that derive from living surfaces, walls, and ovens. Concotto fragments are found throughout the Italian peninsula and date from the Neolithic to the Iron Age. Current studies express contradictory opinions about whether or not the Concottos on living surfaces represent intentionally constructed surfaces or the secondary products of the contact between hot embers and sediments. This study uses micromorphological analysis to investigate the function and composition of Concotto surfaces from several domestic structures at the Early Bronze Age village of Afragola in southern Italy. Afragola is an exceptionally preserved agricultural village that was covered by almost 1?m of volcanic ash during the Vesuvius eruption in 3945?±?10 cal. BP. The Concottos at Afragola are hard, red surfaces that are typically associated with burned materials. Micromorphological analysis reveals that the Concottos were intentionally made by laying down patches of clay and then heating them to create a hard, flat surface. This study explores the potential uses of the Concotto as cooking surfaces during the Early Bronze Age of southern Italy.  相似文献   
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The article has a double focus: explaining the so-far obscure origins of children’s fashion in the later eighteenth century and putting its emergence in the context of the ‘grand narrative’ concerning the ‘discovery of childhood’ during this pivotal period. Contrary to Rousseau’s famous dismissal of the hussar suit, the role of ‘fancy dress’ inspiration in the development of children’s fashions for the first time purposefully meant to distinguish the (male) child from the grown-ups and, concurrent with the Enlightenment’s ideas on childhood, emerges as central rather than marginal. The repertory of styles adopted for boys’ wear is shown to have been inspired by various ethnic and historical dress traditions rooted in the fascination with masquerade characteristic of the Rococo culture but harnessed to express the emerging new attitudes. Among them, special attention is given to inspirations by Polish national dress.

Second, the article takes on the argument presented by Daniel Thomas Cook in his inspiring article in Textile History, 42, no. 1 (2011). Having acknowledged the foundational role of fashion history in the emergence of childhood studies, Cook regards its present status as peripheral. He dismisses the underlying premise of its principal ‘grand narrative’ as based on a fruitless distinction between utility (and functionality) and fashion rather than the invention or discovery of the ‘child’ and ‘childhood’. While partially accepting Cook’s criticism, the article argues that the ‘grand narrative’, thus modified and expanded, retains its usefulness. In the nineteenth century, the ‘fancy dress’ and ‘playfulness’ theme continued, reflected in the most popular children’s styles (sailor suit, Little Lord Fauntleroy suit) and a range of others, temporarily or locally prominent, and intertwining with multifarious cultural, artistic, social and commercial developments.  相似文献   
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In the wake of a string of sensationalist documentaries about transsexuality in Iran, Iranian theatre and film artists began crafting groundbreaking trans performances to educate audiences and depict characters living non-heteronormative lives without the translating influence of queer theory or identity politics. Investigating transsexual bodies as assembled by jurists in Iranian Shi?a jurisprudence and by artists on stage and screen reveals the ways in which the transsexual body is constructed in Islamic legal discourse and represented in narrative and bodily form in the public imaginary in Iran. Representations of transsexuality in theatre and film highlight the role of the arts as a vehicle for social change, communal recognition, and self-cognition. In particular, performances of female-to-male gender transitions in theatre and film have expanded the boundaries of how gender presentation is translated onto Iranian stages, into Tehran coffeehouses, and onto global screens. These trans performances usher Iranian spectators into new forms of viewership and artistic consumption in their attempt to creatively represent transsexual bodies and narratives to increase tolerance towards transsexuals; further, they have ignited a conversation among artists and activists about the assemblage of transsexual bodies in artistic productions and the most effective narrative and emotional forms of catharsis to inspire change.  相似文献   
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Tool design is a cultural trait—a term long used in anthropology as a unit of transmittable information that encodes particular behavioral characteristics of individuals or groups. After they are transmitted, cultural traits serve as units of replication in that they can be modified as part of a cultural repertoire through processes such as recombination, loss, or partial alteration. Artifacts and other components of the archaeological record serve as proxies for studying the transmission (and modification) of cultural traits, provided there is analytical clarity in defining and measuring whatever it is that is being transmitted. Our interest here is in tool design, and we illustrate how to create analytical units that allow us to map tool-design space and to begin to understand how that space was used at different points in time. We first introduce the concept of fitness landscape and impose a model of cultural learning over it, then turn to four methods that are useful for the analysis of design space: paradigmatic classification, phylogenetic analysis, distance graphs, and geometric morphometrics. Each method builds on the others in logical fashion, which allows creation of testable hypotheses concerning cultural transmission and the evolutionary processes that shape it, including invention (mutation), selection, and drift. For examples, we turn to several case studies that focus on Early Paleoindian–period projectile points from eastern North America, the earliest widespread and currently recognizable remains of hunter–gatherers in late Pleistocene North America.  相似文献   
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This paper reports a study that sheds light on an issue that is important for understanding human behavioral evolution—the factors that influence hunter-gatherers’ decisions regarding the number and degree of specialization of their tools. Two primary drivers of technological richness and complexity have been proposed in the anthropological literature: population size and environmental risk. In general, ethnographic studies tend to support environmental risk as the primary driver, whereas the limited number of archaeological studies that have been carried out seem to support population size. These findings are difficult to reconcile because problems exist for both sets of studies. The present study was designed with these problems in mind. We used an archaeological dataset to test which of the hypothesized driving factors—population size or environmental risk—best explains changes in technological richness. More specifically, we investigated whether changes in the number of point types in Texas from the first occupation more than 13,000 years ago to the Late Prehistoric period, around 400 years ago, are better explained by environmental risk or by population size. Bivariate correlations and a generalized linear model indicate that temporal changes in point-type richness in Texas are significantly associated with changes in one of our proxies of risk—global temperature. We found no relationship between temporal changes in point-type richness and changes in population size. Thus, the results derived from this study are consistent with the environmental risk hypothesis and inconsistent with the population size hypothesis.  相似文献   
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HIV health services research conventionally defines place in terms of proximity to care. However, understandings of place must also include the social spaces that women living with HIV (WLWH) occupy which shape their experience of health and access to care. Drawing on focus group data from the Canadian HIV Women’s Sexual and Reproductive Health Cohort Study, we explored how 28 WLWH navigate geographic place and social space in attempting to access HIV-related healthcare within and across a range of urban to rural localities in British Columbia (BC), Canada. We describe how existing services, even if physically close, can be socially marginalizing as women confront HIV stigma, racism, and classism, which operate to exclude women from the places and spaces they must access for care. We also emphasize how women enact ‘geographies of resistance’ and succeed in carving out their own safe options for care and support. Finally, we share recommendations identified by women themselves towards developing local and community-driven ‘geographies of change’ that support the health and healing of diverse communities of WLWH. Our findings stress the urgent need to acknowledge and redress socio-spatial barriers to care and to work with WLWH to co-create a therapeutic landscape that reflects women’s diverse identities, localities, emotions, and experiences.  相似文献   
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