Identification of a possible engraved Venus from Předmostí, Czech Republic

One Gravettian feminine representation – the schematic Venus of P?edmostí – is so different from all the others that it has always been regarded as unique. The engraving, which was closely examined for the purpose of comparison in this study, represents a woman composed of geometric shapes, including a triangular head with interior lattice-work, concentric ellipses for the breasts, belly and pelvis, a double ladder for the remaining arm, hatch marks, and a thigh made up of parallel vertical lines. This article presents the discovery and discusses the authenticity of a second, feminine anthropomorph engraved on a bone shaft fragment, which is labelled as coming from the same site and is highly similar to the one described at the end of the nineteenth century. The modern history of P?edmostí reveals that the site was used as a quarry for the extraction of loess and limestone, and that tons of mammoth bones were extracted to produce spodium. Remarkable objects that were found both during early archaeological excavations and the site’s commercial exploitation went towards private collections. The history of the piece under study traces it back through a succession of owners to the collection of René de Poilloüe de Saint-Périer (b.1877–d.1950) and Raymonde-Suzanne de Saint-Périer (b.1890–d.1978). The engraving is on the periosteal surface of a limb bone from a very large mammal, probably a proboscidian. Microscopic analysis of the bone surface and engravings identify the chronology of the grooves and their relations to the stages of the bone’s alteration and fracturing, starting with: 1) heavy weathering of the bone surface that produced longitudinal cracks, which probably led to its breakage, 2) engraving of the feminine representation, 3) intense mechanical and chemical attacks that smoothed all of the bone’s surfaces and wore down the engravings, 4) covering with a consolidation agent, and, most recently, 5) some abrasion, which resulted in the creation of a few straight lines. Since no evidence is found to suggest that the highly worn appearance of the engravings composing the feminine representation resulted from modifications that were meant to artificially age the periosteal surface of the bone, we conclude that the engraving can be plausibly attributed to the Gravettian and that further analyses are warranted.     

Sediments exposed to high temperatures: reconstructing pyrotechnological processes in Late Bronze and Iron Age Strata at Tel Dor (Israel)

Many of the sediments analysed from Tel Dor (Israel) show structural alterations indicating that they were exposed to high temperatures. This observation is consistent with the abundant evidence for use of pyrotechnology from the earliest exposed Middle Bronze Age strata through the Roman period. Such structurally altered sediments may well represent one of the more widespread and durable records of pyrotechnology, and as such could be invaluable for reconstructing past human activities. The specific aims of this research are therefore to develop the means for identifying local sediments that were altered by different pyrotechnological activities and to elucidate the varying circumstances whereby sediments were exposed to high temperatures in a Late Bronze and Iron Age 1 section.     

Of Ships and Deer: early Western Mediterranean ship graffiti reappraised

Re‐analysis of the Hal Tarxien prehistoric ship graffiti, the incised figure on a pottery sherd, from the Neolithic site of Grapceva cave on a Croatian island, known as the ‘Hvar boat’, and the Villanovian‐Etruscan bronze razor from Bologna allow the last two to be reinterpreted as animals rather than ships, and the first to be dated to the Bronze Age Cemetery phase of the site. These findings require the earliest ship graffiti in the western Mediterranean to be reconsidered.     

Micromorphological Study of Concotto Surfaces Protected by the Avellino Eruption in 3945 ± 10 cal. BP at the Early Bronze Age of Afragola Village in Southern Italy

ABSTRACT

The term Concotto refers to fragments or patches of hard heated clay that derive from living surfaces, walls, and ovens. Concotto fragments are found throughout the Italian peninsula and date from the Neolithic to the Iron Age. Current studies express contradictory opinions about whether or not the Concottos on living surfaces represent intentionally constructed surfaces or the secondary products of the contact between hot embers and sediments. This study uses micromorphological analysis to investigate the function and composition of Concotto surfaces from several domestic structures at the Early Bronze Age village of Afragola in southern Italy. Afragola is an exceptionally preserved agricultural village that was covered by almost 1?m of volcanic ash during the Vesuvius eruption in 3945?±?10 cal. BP. The Concottos at Afragola are hard, red surfaces that are typically associated with burned materials. Micromorphological analysis reveals that the Concottos were intentionally made by laying down patches of clay and then heating them to create a hard, flat surface. This study explores the potential uses of the Concotto as cooking surfaces during the Early Bronze Age of southern Italy.     

Japan in Early Modern Scholarly Journals, 1665–1750

This article aims at exploring Japan and its cultural and symbolic representation in the Republic of Letters from the end of the seventeenth century until the mid-eighteenth century. In order to do this, the article focuses on early modern scholarly journals, as they were the most comprehensive and up-to-date instruments of communication for the international community of scholars during that time. By analysing the journals’ content we will see which topics were more commonly connected to Japan and understand the role Japan played in the development of the increasingly comprehensive and methodical knowledge of the early modern savants. This article provides a picture of the heuristic and rhetorical role of Japan in the shaping of new, expanded representations of the world. On the one hand, connections between the cultural representations of Japan and other extra-European lands are highlighted; on the other hand, Japan's peculiar and unique features within the cultural and scientific discourses of the Republic of Letters are examined. Finally, how the representations of Japan relate to the divisions and identities within the Republic of Letters itself is considered.     

Adam Boreel and Galenus Abrahamsz. Against constraint of consciences: seventeenth-century dissenters in favor of religious toleration

This paper examines two seventeenth-century works written by Adam Boreel and Galenus Abrahamsz, two most famous scholars among the Amsterdam Collegiants who advocated ideas in favour of religious toleration. This study is divided in three main parts. Firstly, I give historical information on the circumstances that led Galenus Abrahamsz to write his work. Secondly, I make a thorough comparison between Abrahamsz’s work and Boreel’s treatise, arguing that the latter exerted great influence on the former. However, despite major parallels, I also show that there are deep differences in their works. Thirdly, I argue that both Boreel and Abrahamsz pursued the same aim: to establish religious toleration among Christians. In the conclusion, I suggest that we should not regard Abrahamsz as a Collegiant himself, but only as a sympathizer of Collegiant ideas. I also suggest the significance of further studies on the Collegiants, their practices, and their ideas.     

Reasons for Clustering of Creative Industries in Italy and Spain

Creative industries and creative employment tend to concentrate around medium and large cities, forming creative local systems. We follow a multidisciplinary approach, based on cultural and creative economics, evolutionary geography and urban economics, in order to analyse the forces behind the clustering of employment in creative industries in a comparative analysis of Italy and Spain. The results show different patterns of clustering of creative employment in both countries. The historical and cultural endowments, the average size of creative industries, the size of the place, the productive diversity, and the concentration of human capital and creative class have been determined to be common factors leading to a concentration of creative firms and creative employment in both countries.