An Exploratory and Reflective Process of Urban Spatial Morphology within Social Sustainability: Lessons from Middle Eastern Islamic Tradition

This article outlines the significant role of ideologies and values that lie beneath the physicality of the city, in reforming urban spatial morphology within a framework of social sustainability. We focus on the urban morphology of Middle Eastern cities, which have evolved within the framework of Islamic tradition, to illuminate the relationship between the ideological and physical dimensions of spatial morphology in all urban contexts. We examine the process by which a collective of religious, political, and cultural values underlying the physicality of the city have evolved into aesthetic conventions. This process played a crucial role in the maintenance of social and urban sustainability. We propose a form of “pattern language,” here termed the anatomical approach, that brings together the ideological dimension of a city's inhabitants and the physical characteristics of urban morphology. Such a model may help urban designers and architects to understand and create more responsive and friendly cities. It furthermore contributes to the planning education process by providing the essential knowledge and analytical foundation for site analysis and conservation of valuable contexts.     

Identifying regional variability in Middle Stone Age bone technology: The case of Sibudu Cave

A few pieces of worked bone were previously reported from Sibudu, a site from KwaZulu-Natal in South Africa featuring a stratigraphic sequence with pre-Still Bay, Still Bay, Howiesons Poort, post-Howiesons Poort, late and final MSA cultural horizons. Here we describe an expanded collection of worked bones, including twenty-three pieces. Technological and use-wear analysis of these objects, and their comparison with experimental and ethnographic data, reveals that a number of specialised bone tool types (wedges, pièces esquillées, pressure flakers, smoothers, sequentially notched pieces), previously known only from the Upper Palaeolithic and more recent periods, were manufactured and used at least 30,000 years earlier at Sibudu Cave. These tools appear to be part of a local tradition because they are absent at contemporaneous or more recent southern African sites. Variability in Middle Stone Age material culture supports a scenario in which, beyond broad similarities in lithic technology, significant differences between regions, and trends of continuity at a local scale emerge in other aspects of the technical system, and in the symbolic domain. The archaeological record is revealing a complexity that prevents evaluation of the modern character of Middle Stone Age cultures in antinomic terms. We argue here that it is the detailed analysis of cultural variation that will inform us of the non-linear processes at work during this period, and contribute in the long run to explaining how and when crucial cultural innovations became established in human history.     

Technological, elemental and colorimetric analysis of an engraved ochre fragment from the Middle Stone Age levels of Klasies River Cave 1, South Africa

It is generally accepted that abstract and iconographic representations are reflections of symbolic material culture. Here we describe a fragmented ocherous pebble bearing a sequence of sub-parallel linear incisions. These were produced by a lithic point and may represent one of the oldest instances of a deliberate engraving. The object was recovered from Middle Stone Age II levels of Klasies River Cave 1, South Africa, and is dated to between 100,000 and 85,000 years ago. Microscopic analysis reveals that the surface of the object was ground until smooth before being engraved with a sequence of sub-parallel lines made by single and multiple strokes. X-ray fluorescence and colorimetric analysis of the object and a sample of twelve additional ochre pieces from the same level reveals that the brown colour and Manganese-rich composition renders the engraved piece distinct. This suggests that a particular type of raw material may have been selected for engraving purposes. Although the purpose of marking this object remains uncertain, its detailed analysis adds relevant information to previously published occurrences of Middle Stone Age engraved objects and contributes to clarify their distribution through time and space.