What Do Objects Want?

This paper develops an argument for the agency of objects, looking at the effects objects have on people. Groups of related objects, such as pots or metal ornaments, create stylistic universes which affect producers and users of new objects, bound by the canons of style. For an object to be socially powerful in a recognized manner, the form of the object lays down certain rules of use which influence the sensory and emotional impacts of the object. Formal properties of artifacts are influenced by the genealogy of the object class, including historical continuities and changes, and also its perceived source. The forms of objects, the historical trajectories of the class of objects and their perceived sources combine to have social effects on people, shaping people as socially effective entities. Britain’s incorporation into the Roman Empire between 150 BC and AD 200 provides an excellent case study through which to look at the changing corpora of objects, which had continuities and changes in form, a set of subtle attributions of sources and a complex range of social effects.     

Re-Inventing Mississippian Tradition at Etowah,Georgia

Frequent population movement and political re-organization spurred a pattern of repeated abandonment at the Mississippian mound center of Etowah in the southeastern United States. These processes also characterized the larger surrounding region in north Georgia and southeast Tennessee. The Etowah abandonments provided inflection points where interest groups were able to distance themselves from previous conventions of structure and reformulate new forms of sociopolitical organization. Re-invented traditions were embedded in changing definitions of genealogical and mythical time, and mediated through the built environment and iconography.     

Being Toured While Digging Tourism: Excavating the Familiar at Chicago’s 1893 World’s Columbian Exposition

Chicago’s Jackson Park witnessed intense and sustained tourism during the 1893 World’s Columbian Exposition. Recent archaeological survey and excavation produced information about the tourist experience of the Fair in a somewhat familiar artifactural form. The dig drew local tourists whose appetites for the Exposition were whetted by a bestselling book. At the heart of these multiple touristic consumptions in, and of, Jackson Park lies the central issue—the way that tourists create themselves as modern subjects through the practice of tourism and how this process can be both helped and hindered by the presence of familiar objects.     

The Poverty Trap: Or,Why Poverty is Not About the Individual

Poverty is often thought of as an inevitable social condition, and the blame for any shortcomings in governmental welfare policies is frequently placed upon the failings of individuals, markets, and demography. By exploring the influence of neoliberal politics on archaeologies of slum-life this article makes the case that less emphasis should be placed upon the perceived failings of individuals and more effort should be placed on recovering the complex social networks which sustained community-life within Hungate and other so-called urban slums.     

Identification of a possible engraved Venus from Předmostí, Czech Republic

One Gravettian feminine representation – the schematic Venus of P?edmostí – is so different from all the others that it has always been regarded as unique. The engraving, which was closely examined for the purpose of comparison in this study, represents a woman composed of geometric shapes, including a triangular head with interior lattice-work, concentric ellipses for the breasts, belly and pelvis, a double ladder for the remaining arm, hatch marks, and a thigh made up of parallel vertical lines. This article presents the discovery and discusses the authenticity of a second, feminine anthropomorph engraved on a bone shaft fragment, which is labelled as coming from the same site and is highly similar to the one described at the end of the nineteenth century. The modern history of P?edmostí reveals that the site was used as a quarry for the extraction of loess and limestone, and that tons of mammoth bones were extracted to produce spodium. Remarkable objects that were found both during early archaeological excavations and the site’s commercial exploitation went towards private collections. The history of the piece under study traces it back through a succession of owners to the collection of René de Poilloüe de Saint-Périer (b.1877–d.1950) and Raymonde-Suzanne de Saint-Périer (b.1890–d.1978). The engraving is on the periosteal surface of a limb bone from a very large mammal, probably a proboscidian. Microscopic analysis of the bone surface and engravings identify the chronology of the grooves and their relations to the stages of the bone’s alteration and fracturing, starting with: 1) heavy weathering of the bone surface that produced longitudinal cracks, which probably led to its breakage, 2) engraving of the feminine representation, 3) intense mechanical and chemical attacks that smoothed all of the bone’s surfaces and wore down the engravings, 4) covering with a consolidation agent, and, most recently, 5) some abrasion, which resulted in the creation of a few straight lines. Since no evidence is found to suggest that the highly worn appearance of the engravings composing the feminine representation resulted from modifications that were meant to artificially age the periosteal surface of the bone, we conclude that the engraving can be plausibly attributed to the Gravettian and that further analyses are warranted.