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Since the recent publication of a catalogue of the printed rituals in French dioceses, we can list seven ordines of seclusion of lepers existing in France around 1490–1550. In fact, for two of them, the most common, two distinct versions having the same incipit are found. Most of these ceremonies are parodies, some closer than others, of funerals and tell the sick: Sis mortuus mundo. As far as France is concerned, these rites were only followed in one diocese out of ten, but they represent a common liturgical habit in the northeast part of the country. They may have originated in 1400–1450 from the same inclination towards a grim mood as the Dances of Death. They probably exorcised other fears than that of the leper — then dying out-, and were only to disappear slowly and gradually at the time of the Counter-Reformation, after about 1560.  相似文献   
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This article considers a number of recent trends and argues that, rather than remaining unchallenged, the supremacy of the neo‐liberal model has given renewed dynamism to the critique of economic ideology and has revitalised the humanist approach. The dominance of both economic rationality and economics as academic discipline is questioned radically. These critiques converge upon a reassessment of the foundations of French democracy and of the Welfare State in order to promote social cohesion. The works informing this study offer an alternative to the prevailing economic paradigm.  相似文献   
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There have been an increasing number of reports of postamputation pain and problems linked to phantom limbs over recent years, particularly in relation to war-related amputations. These problems, which are often poorly understood and considered rather mysterious, are still relevant because they are difficult to treat medically. Functional neuroimaging techniques now enable us to better understand their pathophysiology and to consider new rehabilitation techniques. Phantom limbs have often been a source of inspiration to writers, particularly in the period following the First World War, which was responsible for thousands of amputees. Some artists have suffered from postamputation complications themselves and have expressed them through their artistic works. Blaise Cendrars (1887–1961), one of the greatest authors of the twentieth century, suffered from stump pain and phantom limb phenomena for almost half a century following the amputation of his right arm during the First World War. He suffered from these phenomena until the end of his life and his literary work and personal correspondence are peppered with references to them. Arthur Rimbaud (1854–1891), one of the most famous poets in world literature, developed severe stump pain after his right leg was amputated due to a tumor. He survived for only six months after the procedure but left behind an account of the pain he experienced in correspondence to his family. The famous pianist Paul Wittgenstein (1887–1961), whose right arm was amputated during the First World War, became a famous left-handed concert pianist. The phantom movements of his right hand helped him to develop the dexterity of his left hand. The impact on the artistic life of these three men provides an original illustration of the various postamputation complications, specifically phantom limbs, stump pain, and moving phantom.  相似文献   
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The history of art reveals that painters have rarely tried to depict projected shadows. They appeared in the art of ancient Greece, in Greco-roman art, and then disappeared until the 15(th) century. None can be found in Asian art or any other non European art. Yet to date, no scholar has reflected on this troubled history, one that provides a specific link between the Renaissance and classical antiquity. This paper seeks to fill this gap by studying projected shadows as "cultural markers" with a specific history.  相似文献   
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This article presents a critique of Vietnam's agricultural modernization in the context of its post‐socialist transition and the emerging climate crisis. Agricultural modernization has led to impressive rates of wealth creation that have pulled many Vietnamese out of poverty and food insecurity over the past two decades. However, the model's own logic of accumulation has also made the country increasingly reliant on complex processes and has locked in various technological path dependencies. These include energy‐ and input‐intensive production, engineered landscapes, reduced agro‐biodiversity, and weakened social networks, knowledge and skills. As a result, Vietnam is becoming more sensitive and less able to adapt to structural shocks, notably that of climate change. Furthermore, and crucially, the post‐socialist transition since the launch of ??i m?i (market reform) has given rise to a political economy with dominant interests increasingly vested in the continuity of this modernization model. The article argues that it is this new dynamics of class and state–society relations that now represents the main obstacle to the development of credible solutions to the climate crisis.  相似文献   
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ABSTRACT

The Ottoman Empire faced catastrophic events during its period of dissolution which started with the First World War. At the end of this war, the Ottoman lands were shared by the Allied forces. As a reaction to this occupation, the Turkish War of Independence started in 1919 and finished in 1923. The authors aim to examine how these events were reflected in the ?stanbul bourse, using Ottoman government bond prices data between 1918 and 1925. Econometric methodology of Carla Inclan and George Tiao (1994 Inclan, C., and G. Tiao. 1994. Use of the cumulative sums of squares for retrospective detection of changes of variance. Journal of the American Statistical Association 89:91323.[Taylor &; Francis Online], [Web of Science ®] [Google Scholar]) identifies several break points, which imply a lower risk for the repayment of the bonds during the end of the First World War and the Turkish War of Independence.  相似文献   
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