Le secret d'adukanaiš

Sans résumé     

A Crisis of Opportunity: Market-Making,Big Data,and the Consolidation of Migration as Risk

Crisis narratives surrounding Europe’s 2015 migration influx fuelled demands for new ways of tracking, mapping and predicting human mobility. We explore how market opportunities for technology firms and data analytics start-ups created by the EU’s Global Approach to Migration led to solutionistic approaches to compiling and analysing migration statistics. We show that initiatives such as the rebranding of existing platforms and services as migration prediction systems are consolidating policy conceptualisations of migration as risk. Despite the promise of greater granularity, this “big data approach” cannot offer greater certainty about who is on the move and why. Instead such approaches are ill-suited to understanding the complex dynamics of migration and to offering protection to vulnerable people. The marketisation of migration statistics through big data offers a key case for advancing progressive approaches to both migration statistics and global data justice.     

The Hidden Consequences of Credit: An Illustration from Rural Indonesia

Interest in rural financial development has been booming, but often with a blind eye to the broader consequences. Very few studies have tackled the unintended economic, social and ecological outcomes of ordinary indebtedness, the inevitable other side of credit. This article explores some of the main ‘hidden’ side‐effects of credit/debt relations, with special reference to the Indonesian plantation sector. I argue that widespread credit/debt relations are not only an important factor behind capital, land and labour control; they also generate constraints that foster market discipline and contribute to undermine traditional community bonds as well as environmental conditions. More generally, credit/debt relations represent a powerful mechanism of social selection that has, in the long run, crucially shaped the trajectory of capitalism at the household, firm and government levels.     

CONSUMER PERCEPTIONS OF SPONSORSHIP IN THE ARTS

This article investigates consumers’ perceptions of three types of sponsors that play a role in backing financially Canadian artistic and cultural organisations: government ministries (or departments), Crown corporations and private companies. In addition to the type of sponsor and the nature of the sponsorship (philanthropic or commercial), the perceived congruence between the sponsor and the sponsored event (strong as opposed to weak), and the form of arts and cultural events (high art versus popular art and performing arts versus heritage arts) are explored in an experimental setting combining within‐subjects and between‐subjects factors. The main hypothesis of this research was that consumers’ perceptions are not the same when it comes to the different kinds of sponsors that evolve in the cultural and art fields. As the researchers explored this issue, they observed that significant differences do exist. It is believed that the rich findings of this study will be useful to civil servants.     

Electrical innovation: State initiative or private initiative? Observations on the 1881 Paris exhibition

The characteristics of the 1881 Paris Exhibition would seem to support Mensch's thesis: that it was the result of collective action backed by the State. But in fact, its history leads to quite a different definition of electrical innovation in the 1880's: The Exhibition was the result of an accurate perception of the needs of the existing technological system. It made entrepreneurs accept risk, and was based on an aggressive solicitation of the consumer.     

Travail et société: Explorations d'une crise

Meda, D., Le travail: une valeur en voie de disparition (Aubier, 1995), 364pp., 120F., ISBN 2 7007 3659 1

Bidet, J., et Texier, J. (sous la direction de), La crise du travail (PUF, 1995), 272pp., 198F., ISBN 2 13 047001 7