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A. Fiona D. Mackenzie Sue Jane Taylor 《Gender, place and culture : a journal of feminist geography》2006,13(6):605-627
This paper explores the ways through which the public art of Scots artist Sue Jane Taylor and the practices associated with it both unsettle narratives of globalisation and conjure in their stead new narratives of place. With reference to the stories of five works/workings of art—Glencalvie and Borgie in the Highlands, Aberdeen (the onshore site for the North Sea oil industry) and Clydebank, and Lower Pultneytown, Wick—I show how the art, as evidence of a deeply politicised aesthetics, makes visible not only the specificities of historical and contemporary struggle, but is also bound up with creating and imagining new political possibilities. Art and artistic practices are understood not simply in terms of shaping meanings but as constitutive of processes of subject formation and of the ‘becoming’ of place. 相似文献
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Fiona Gill 《Nations & Nationalism》2005,11(1):83-102
Abstract. This paper is an exploration of national identities among sports people in a community in the Scottish Borders. This group experiences a split in their identities. Publicly, they are ascribed an ambiguous national identity by the surrounding national communities. Privately, and among fellow community members, they unambiguously assert national identity. This paper examines the way this split is managed, arguing that the performance of public ambiguity is expected, but is supported by the private performance of nationality. National identity is analysed specifically as a performance, and sport is the context in which this performance takes place. 相似文献
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Fiona Haslam McKenzie 《Geographical Research》2005,43(4):436-437
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