"It is God who Speaks in the Thunder . . .": Mediating Ontologies of Faith and Fear in Aboriginal Christianity>

The connection between Christianity and the ancestral law of Aboriginal culture has generated considerable debate within Australian Christianity. I explore the intersubjective flow between faith and fear emergent within these two systems and show how external influences have impacted ruptures of ontological thought and experience. These ruptures have both emerged from and shaped social and political change for Yolngu from Galiwin'ku in north-east Arnhem Land. I examine a range of discourses of religious rupture and argue that Christian influences have, at different times, variously competed with, moulded, and naturalized Yolngu ancestral understanding, leading to a surveillance of the social, spiritual, and political relationship between the Gospel and Culture by Yolngu Christians.     

Moving Mountains: Community and Resistance in the Isle of Harris, Scotland, and Cape Breton, Canada

Drawing on poststructuralist political ecology, the narratives of two struggles about siting a superquarry are examined to elucidate the complex articulations of community, nature, resistance and identity in play in public debates. Focusing on the discursive formulations of the quarry in the expert language, as well as in the arguments of both local proponents and opponents of the quarries, shows the importance of ontological categories in "environmental" siting disputes. In Harris, these themes rearticulate the histories of dispossession, crofting and religion, as well as complex layers of geographical identity in the various claims to community. In Cape Breton, the rethinking of aboriginal Mi'kmaq identity was stimulated by revived interest in the religious traditions linked to the sacred site near the proposed quarry. In light of these findings, the complexity and active rearticulation of local "community" as political resistance are emphasised and the difficulties of thinking about sustainability highlighted.     

Phylogeographic analysis of barley DNA as evidence for the spread of Neolithic agriculture through Europe

Results of analyses of the photoperiod response gene (PPD-H1) and simple sequence repeats (SSRs) in modern landraces of cultivated barley were used as evidence for the mechanism of agricultural spread in Neolithic Europe. In particular, we explored the usefulness of considering adaptive genes as indicators of past selective pressures acting on crops, during their spread through Europe. In some areas, such as the Alpine region, Britain and Scandinavia, we have evidence to suggest that the adaptation of crops to certain climatic conditions may have contributed to the timing of agricultural spread. At the northern fringes of Europe, and in higher altitude locations in central Europe, the introduction of more suitably adapted cereals may have facilitated successful agriculture to trigger agricultural expansion. This research opens up the possibility of investigating other genetic adaptations to climate, which would permit a fuller evaluation of the relative contributions of climate/crop and forager/farmer interactions in the process of agricultural spread.     

Fashionability: Abraham Moon and the Creation of British Cloth for the Global Market

Abstract

An early nineteenth-century pink silk crepe gown adorned with thousands of faux pearls was one of the highlights of the Los Angeles County Museum of Art’s Autumn 2010 exhibit Fashioning Fashion. During conservation treatment, the faux pearls were examined in detail in order to inform conservation decision-making and a curious manufacturing method was found, namely a practice developed in the seventeenth century by a French rosary maker: delicate and hollow glass beads were filled with a slurry of material derived from fish scales and gelatin or sturgeon glue. This information supported treatment decisions for the piece and is shared here to disseminate information on the history and manufacture of faux pearls and to inform collections care approaches for costume decorated with these extraordinary and fragile beads. This approach demonstrates how detailed examination of an object can act as the catalyst for exploring the history of manufacturing technology as well as deepening understanding of dress history.     

Birdmen, cemís and duhos: material studies and AMS C dating of Pre-Hispanic Caribbean wood sculptures in the British Museum

This paper presents 19 AMS radiocarbon dates from nine pre-Hispanic Caribbean (Taíno/Lucayan) wooden sculptures in the British Museum collections, provenanced to Jamaica, Hispaniola and the Bahamas. Together with strontium isotope results and wood and resin identifications, these data build a material and chronological context for some of the most recognised examples of Taíno art – from duhos (ceremonial seats) and cemís (free standing depictions of deities, ancestors and spirits) to canopied stands used to hold hallucinogenic drugs during the cohoba ceremony. Each sculpture widens our understanding of Caribbean carving traditions, stylistic variation, chronologies and material resource utilisation. A group of three sculptures recovered from Carpenters Mountains, Jamaica, carved by AD 1300 and brought together as a ceremonial ‘set’, each appear to have had their inlays renewed over a century later, suggesting long-term use. Three key examples of the main Caribbean duho categories (high-back, low-back and extended), provide insights into the diversity of styles present in the region post-AD 1100. The British Museum's corpus enables an exploration of regional styles, and potentially the work of individual artists.     

Governing the Commercial Streets of the City: New Terrains of Disinvestment and Gentrification in Toronto's Inner Suburbs

This paper explores the commercial shopping street as a site of racialized class struggle. The argument builds around the study of a disinvested inner‐suburban neighbourhood in Toronto, which furnishes an ideal case through which to achieve the paper's objectives of, first, identifying commercial space as an important site of contestation over competing suburban futures; second, delineating how processes of racialization inform the economies of commercial gentrification and urban renewal; and third, highlighting the epistemological and theoretical insights that emerge when research is conducted collaboratively, among academic, community, and activist groupings. The paper argues that such commercial spaces play a key role in making the city accessible to vulnerable and marginalized groups. Two competing planning agendas centred on reordering commercial space, meanwhile, spell the almost‐certain demise of such arrangements: a “real estate” vision featuring new condominium developments, and a new urbanist resistance favouring “green” and “creative” alternatives. Our engagements with precarious, predominantly immigrant‐owned businesses and community‐based researchers reveal the complicity of both modes of development planning with processes of displacement and structural racism. Specifying these dynamics as “racialized class projects” opens up space for intervention and organizing.