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This paper explores the ways through which the public art of Scots artist Sue Jane Taylor and the practices associated with it both unsettle narratives of globalisation and conjure in their stead new narratives of place. With reference to the stories of five works/workings of art—Glencalvie and Borgie in the Highlands, Aberdeen (the onshore site for the North Sea oil industry) and Clydebank, and Lower Pultneytown, Wick—I show how the art, as evidence of a deeply politicised aesthetics, makes visible not only the specificities of historical and contemporary struggle, but is also bound up with creating and imagining new political possibilities. Art and artistic practices are understood not simply in terms of shaping meanings but as constitutive of processes of subject formation and of the ‘becoming’ of place.  相似文献   
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The kingdom of Strathclyde was focused on the Clyde valley and ruled by a Brittonic‐speaking dynasty. Historians have traditionally argued that the kingdom expanded southwards in the early tenth century, with the result that there was a revival of Brittonic language. Several scholars have recently challenged this interpretation, but in this article I defend the view that Strathclyde expanded southwards, and I propose a new model for the process. I argue that the kings of Strathclyde took submissions from the local nobility, who included Northumbrian and Gaelic‐Scandinavian magnates. This accounts for the multicultural nature of the kingdom in its heyday.  相似文献   
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The author responds to the articles in this issue by demonstrating how a twentieth-century poem might provide us with a fresh perspective on the situated historical understandings of bodies gendered as male provided here. Amichai uses the literary figure of metonymy to show how ‘a man’ has no time for history: he allows a part to speak for the whole, and a specific cultural moment to stand for any time. Historians and literary scholars alike would benefit from attending to our own metonyms, and the historical continuities we assume or assert as we seek to investigate cultural difference.  相似文献   
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The Registan Desert in southern Afghanistan has, like most deserts, traditionally been regarded as a barren, hostile space, devoid of human occupation other than occasional nomad campsites and an isolated 11th-century a.d. fortress. Detailed analysis of a strip of high resolution satellite imagery available through Google Earth and stretching into the Registan has revealed the presence of over 800 hitherto unrecorded archaeological sites. Many of these sites relate to water management, and predate the modern era. The water installations form networks of sites which facilitated the opportunistic exploitation of grazing following periodic rains, desert farming, travel, trade and exchange over hundreds of years, if not longer. Extrapolating from this detailed analysis, we argue that thousands of other sites have yet to be discovered in the Registan. These water management networks warrant further study in the field and protection from neglect, construction, recreational four-wheel driving, and looting.  相似文献   
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Abstract

What I’d like to do here is to offer some cursory reflections on Silvia Federici’s contribution to anti-capitalist thought and practice. I do this through my engagement with her work on the Great Witch-Hunt.  相似文献   
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On the basis of stable carbon and nitrogen isotope analysis of human remains, this paper provides evidence for the retention of hunter–gatherer economies among coastal inhabitants in northern Chile during the late Holocene – at the same time that inland populations were adopting agricultural economies. Coastal diets from the Caleta Vitor region of the Atacama Desert were dominated by marine-based foods, predominantly from upper trophic levels. The focus on reliable marine food resources is interpreted as a risk minimisation strategy in this marginal arid environment. Although these coastal hunter–gatherers adopted other goods and traditions from agricultural populations, their participation in this larger interregional exchange network did not affect their basic subsistence economies.  相似文献   
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We report new archaeological excavations from northern Australia revealing part of a charcoal design likely to be c. 28,000 years old (and chrono-stratigraphically constrained within the period 15,600–45,600 cal BP) on a small rock slab fallen from the ceiling at the rockshelter of Nawarla Gabarnmang in Jawoyn country, Arnhem Land. This represents the oldest confirmed pictograph in Australia.  相似文献   
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