Claims to Place: The public art of Sue Jane Taylor

This paper explores the ways through which the public art of Scots artist Sue Jane Taylor and the practices associated with it both unsettle narratives of globalisation and conjure in their stead new narratives of place. With reference to the stories of five works/workings of art—Glencalvie and Borgie in the Highlands, Aberdeen (the onshore site for the North Sea oil industry) and Clydebank, and Lower Pultneytown, Wick—I show how the art, as evidence of a deeply politicised aesthetics, makes visible not only the specificities of historical and contemporary struggle, but is also bound up with creating and imagining new political possibilities. Art and artistic practices are understood not simply in terms of shaping meanings but as constitutive of processes of subject formation and of the ‘becoming’ of place.     

Public and private: national identities in a Scottish Borders community*

Abstract. This paper is an exploration of national identities among sports people in a community in the Scottish Borders. This group experiences a split in their identities. Publicly, they are ascribed an ambiguous national identity by the surrounding national communities. Privately, and among fellow community members, they unambiguously assert national identity. This paper examines the way this split is managed, arguing that the performance of public ambiguity is expected, but is supported by the private performance of nationality. National identity is analysed specifically as a performance, and sport is the context in which this performance takes place.     

Testing the human factor: radiocarbon dating the first peoples of the South Pacific

Archaeologists have long debated the origins and mode of dispersal of the immediate predecessors of all Polynesians and many populations in Island Melanesia. Such debates are inextricably linked to a chronological framework provided, in part, by radiocarbon dates. Human remains have the greatest potential for providing answers to many questions pertinent to these debates. Unfortunately, bone is one of the most complicated materials to date reliably because of bone degradation, sample pre-treatment and diet. This is of particular concern in the Pacific where humidity contributes to the rapid decay of bone protein, and a combination of marine, reef, C₄, C₃ and freshwater foods complicate the interpretation of ¹⁴C determinations. Independent advances in bone pre-treatment, isotope multivariate modelling and radiocarbon calibration techniques provide us, for the first time, with the tools to obtain reliable calibrated ages for Pacific burials. Here we present research that combines these techniques, enabling us to re-evaluate the age of burials from key archaeological sites in the Pacific.     

The expansion of the kingdom of Strathclyde

The kingdom of Strathclyde was focused on the Clyde valley and ruled by a Brittonic‐speaking dynasty. Historians have traditionally argued that the kingdom expanded southwards in the early tenth century, with the result that there was a revival of Brittonic language. Several scholars have recently challenged this interpretation, but in this article I defend the view that Strathclyde expanded southwards, and I propose a new model for the process. I argue that the kings of Strathclyde took submissions from the local nobility, who included Northumbrian and Gaelic‐Scandinavian magnates. This accounts for the multicultural nature of the kingdom in its heyday.     

Masculinity and its metonyms

The author responds to the articles in this issue by demonstrating how a twentieth-century poem might provide us with a fresh perspective on the situated historical understandings of bodies gendered as male provided here. Amichai uses the literary figure of metonymy to show how ‘a man’ has no time for history: he allows a part to speak for the whole, and a specific cultural moment to stand for any time. Historians and literary scholars alike would benefit from attending to our own metonyms, and the historical continuities we assume or assert as we seek to investigate cultural difference.