‘Defending the race’: the Italian reinvention of the Hottentot Venus during Fascism

Abstract In 1938 the regime's popular periodical La Difesa della Razza published the portrait of Saartjie Baartman (a Khoisan woman known to the western world as ‘The Hottentot Venus’) to discourage miscegenation in the empire of Italian East Africa. But by 1938, Italian public and scientific interest in the Hottentot Venus had long faded away. In addition, readily available photographs of Italo-Eritreans could have been used to show the ‘outcome’ of miscegenation. Why then did the regime's organ publish a portrait of ‘The Hottentot Venus’? This article addresses this question, and explores how Baartman's story could serve the regime's aim of forging a new ‘racial consciousness’ among Italians. By focusing on the transformation of scientific discourses from the 1850s to the late 1930s, and on their silences, the article illuminates the process through which some of the regime's anthropologists constructed a new, ‘made in Italy’ story for the Hottentot Venus. Deliberately leaving out all the main issues long debated during the previous century, they turned this figure into an empty icon to support Fascist colonial obsession with the purity and prestige of the Italian race.     

Italian religious historiography in the 1990s

Abstract

This article examines Italian religious historiography of the past decade, taking into account the difficulty of this national limitation, given the increasingly frequent arid profitable exchanges among the diverse European traditions. The review first examines some general works and then focuses on certain themes that mark the historiographical trends: ecclesiastical institutions, with particular reference to the period of the Reformation and the Counter‐Reformation; religious complexity, with special reference to heterodox movements, to Jewish culture and to the Islamic presence; and people's religious experiences, with particular emphasis on those of women, in their interaction with both cultural production and social history.     

The invisible war on nature: the Abyssinian war (1935–1936) in newsreels and documentaries in Fascist Italy

This contribution to the special issue focuses on newsreels and documentaries that were produced concerning the Second Italo–Ethiopian War (1935–1936), commonly known as the Abyssinian War. It aims to contextualise LUCE's filmic production on the war, so as to create a framework in which the institute can be understood not only as being part of a wider politics of propaganda in Fascist Italy, but as an example of a modern socio-technical organisation that enabled the discursive construction of East African nature as ‘Other’ and therefore helped to justify colonial war as a process of sanitised creative destruction aimed at replacing a previous, negative ‘first nature’ with a positive, Fascist and Italian ‘second nature’. The article draws on archival documents from Mussolini's government cabinet, and on LUCE documentaries and newsreels; these sources are used to create a background against which LUCE's concern with the Second Italo–Ethiopian War can be understood.     

The nation against the State: The Irish question and Britain‐based anarchists in the Age of Empire

This paper discusses the relationship between early anarchism and republican/nationalist ideas. We will focus on the case of British‐based activists grouped around the journal Freedom and their engagement with Irish nationalism during the Age of the Empire. Freedom, founded in 1886, was the most important anarchist journal of the English‐speaking anarchist–communist networks at the time and was the main editorial reference for the worldwide community of anarchist activists, mostly exiled, who resided in London at that time. Extending current interdisciplinary literature on transnational anarchism, we argue that anarchist views of nations, while rejecting the novel notion of the nation‐state, were associated with anti‐colonial struggles and with republican anti‐monarchical and egalitarian notions. Based on primary sources, we discuss the intersections between these Britain‐based anarchists and anti‐colonial Irish radicals, by engaging both with their writings and their international networks of solidarity, thus exploring the complex intermingling of anarchism, anti‐colonialism, and republicanism.     

The Port‐Vendres 4 Shipwreck Cargo: evidence of the Roman wine trade in the western Mediterranean

The Port‐Vendres 4 shipwreck is evidence of coastal export trade between Hispania Citerior and Narbonne in 40/30 BC. The cargo is made up of a particular assemblage of Roman wine amphoras (Pascual 1, Dressel 1B and Lamboglia 2) destined for Gallic markets. Archaeological and archaeometric analyses conducted on a selection of the amphoras allowed the provenance of the cargo to be identified as Hispania Citerior and the central‐southern Tyrrhenian coast of Italy. Iluro and/or Baetulo are proposed as the ports of departure, enabling the reconstruction of the trade route and the historical and economic significance of this shipwreck.     

The Role of Ancient Fishing on the Desert Coast of Patagonia,Argentina

ABSTRACT

This article explores latitudinal and chronological variations in the exploitation of marine fish by the hunter-gatherers who occupied the Atlantic coast of continental Patagonia, Argentina, since the mid-Holocene. Results indicate a spatial gradient in the importance of fish. A significant reduction in the frequency of fish remains in the archaeological sites occurs at higher latitudes. The chronological trends identified also suggest differences between the assemblages of the northern and southern coasts of this long littoral area. The results obtained are further discussed in relation to identified environmental and cultural variation.     

The Nice Musical Chairs Model: Exploring the Role of Competition and Cooperation Between Farming and Herding in the Formation of Land Use Patterns in Arid Afro-Eurasia

Following a strictly theory-building approach, we developed an agent-based simulation model, the Nice Musical Chairs model, to represent the competition between groups of stakeholders of farming and herding activities in the arid Afro-Eurasia. The model deepens the questions raised by the results of our former model, the Musical Chairs model, and further introduces three socio-economic mechanisms, which modulate the behavior and performance of stakeholders and their groups. First, we define land use pairing as the awarding, regarding productivity, of any direct cooperation between farming and herding within a group. Second, group management is modeled as the prerogative of a group leadership to manage stakeholders to pursue a particular proportion between farming and herding. Third, we introduce restricted access to pasture as the engagement in territorial control of rangelands in opposition to an open access regime. An exhaustive exploration of scenarios and parameters placed the control over rangelands as the most significant factor in the formation of land use patterns, followed by land use management. While the effect of land use pairing is mild in comparison, it is still a significant factor in group selection and thus in the persistence of particular land use patterns in the long run.     

Les «yeux d’Argos» et les «étoiles d’Astrée» pour mesurer l’univers les jésuites italiens et la science nouvelle

As what happened for thenova in 1604 and for the three comets which appeared in 1618 starting the debate between Galileo and the Jesuits of the Roman College, even the comet of 1644 enhanced the curiosity and expectations in astrometers’ and astrologers’ minds. This work focuses on some aspects of the European debate, by fixing our attention on the Bolognese observatory school of Santa-Lucia in particular, where Giovan Battista Riccioli and his socios had started an experimental activity which was known and appreciated for its accuracy all over Europe. It also closely examines the revaluation of the «medium sciences», such as geography and hydrometry, to point out the sociocultural conditions that originated the growth of new professional characters like engineers and technicians in Bologna.