Space,time and history in the Polish People’s Republic: the trilogy Sami swoi,Nie ma mocnych,Kochaj albo rzuć

Abstract

The article discusses the meanings of popular culture, authenticity and history in People’s Republic of Poland. As an example it uses a popular film trilogy. The trilogy Sami swoi, Nie ma mocnych and Kochaj albo rzu? (‘All friends here’, ‘Take it easy’ and ‘Love or leave me’) was shown in Polish cinemas between 1967 and 1977. The reviews were written just after the premières. The article uses the concepts of time and space elaborated by Mikhail Bakhtin and Doreen Massey to analyze the different chronotopes of the films. It analyses both the films and the reviews as strategies of creating authenticity and creating cultural meanings: the meaning of history and the meanings of rurality. I will show how history and present, memory and society are interwoven in the light of popular production. In addition, I will emphasize the diverse interpretation possibilities resulting from this micro-historical view and the transnational critique of modernism highlighting the small and local which emerged throughout Europe in the 1970s.     

Views,use and reception of visualisations of development proposals impacting cultural heritage

Visualisations of land-use projects have become an important part of the planning process. Using a survey of heritage professionals’ attitudes towards visualisations as a starting point, this article addresses tensions between the expressed usefulness of visualisations and critical attitudes towards the lack of ‘objectivity’ of visual representation and the risk of manipulation for strategic purposes. Moving from the survey, the article discusses how visual representations of development proposals became part of a Norwegian public dispute over the expansion of a shopping centre in a historic town. Furthermore, our aim is to introduce a social semiotic approach for analysing visualisations at historic sites. Finally, we discuss some theoretical implications of negotiating visualisations, with emphasis on the recent debate about representational and non-representational theories in heritage studies.     

Fragmentation as a novel propagation strategy in an Early Ordovician graptolite

VandenBerg, Alfons H.M., November 2017. Fragmentation as a novel propagation strategy in an Early Ordovician graptolite. Alcheringa 42, 1–9. ISSN 0311-5518.

Catenagraptus communalis gen. nov. sp. nov. is a late Floian (Early Ordovician) graptolite from Victoria, Australia, only found as fragments, with each fragment resembling an assemblage of uniserial tubarium-like structures (pseudotubaria) connected by threads (aulons). Individual pseudotubaria consist of a fallosicula and a stipe, both of which are linked by aulons to other pseudotubaria. Adjacent pseudotubaria are in a parent–offspring relationship. Aulons can be generated from both the proximal and distal extremities of fallosiculae, and from the ends of stipes. The aulons are interpreted to have been grown by the zooid that occupied either the fallosicula or the terminal theca of the stipe. Aulons were pathways for a zooid that built a fallosicula at the end of the aulon. This process was repeated to form the assemblage. None of the assemblages contain a true sicula, which suggests that the assemblages present evidence of a new, asexual propagation strategy that involved fragmentation and dispersal. As this interpretation is radical, other models explored are partial sclerotization and modified sicular spines.

Alfons H.M. VandenBerg [lanceolatus@hotmail.vic.gov.au], Museum Victoria, GPO Box 666, Melbourne 3001, Victoria, Australia.     

The Use of Menthol as Temporary Consolidant in the Excavation of Qin Shihuang's Terracotta Army

Temporary consolidation is widely used to protect delicate artefacts or other fragile relics in art conservation. Although cyclododecane is extensively accepted, the safety‐related issues have become an increasing concern and its short working time is always annoying. Inspired by its low melting point, polar structure, well‐established safety profile, easy local availability and low cost, we propose menthol as a new temporary consolidant on the new excavation site of Qin Shihuang's Terracotta Army. In this paper, we offer a preliminarily exploration of the kinetics of menthol sublimation on two different matrices, its residue after volatilization, its penetrability and distribution in simulated terracotta samples, as well as other important properties in the laboratory. The results obtained from these tests reveal that the sublimation of menthol can be a zero‐ or a first‐order process, depending on the porosity of the matrices, and its best operational temperature resides in the range of 60–80°C. Finally, two field cases at the archaeological site of Qin Shihuang's Terracotta Army are presented to show that menthol is a very effective temporary consolidant.     

The saint as patron in the work of Gregory of Tours

Gregory of Tours and his world have long been out of fashion; but despite modern neglect of his works, Gregory gives us access to an understanding of many important aspects of late antiquity, among which is the role of the saint as patron. Saints appear as patrons throughout Gregory's works; the focus of this study is his account of the miraculous deeds of St. Martin. The role of the saint as patron is best understood against the background of the recent work of Peter Brown on holy men in late antiquity; several other scholars have also emphasized the importance of patrons in the Roman world. Appeals to the saints in Gregory's world are to be understood as one manifestation of the Roman ritual of appeal to a patron. More important than their afflictions are the social circumstances of those who appeal to St. Martin and analyzing some others in detail, we can demonstrate that the most important elements in those appeals are the social weakness of the appellants, their need for a saintly patron, and Martin's role as a model saintly patron in Gregory's world