Picturing Confessional Politics at the Stuart Court: Henrietta Maria and Catherine of Braganza†

The deep confessional tensions in Stuart Britain were embodied in its Catholic queens. Queens, in their portraits and in the artworks in their palaces and chapels, were positioned within this dialectic, with the competing expectations of their husbands, their families, their religious retinues, the papacy, their own personal devotions, and the public against a changing political situation. This article examines how the visual arts provided a powerful tool for Henrietta Maria and Catherine of Braganza in this dynamic, both in claiming and facilitating piety and in advancing the Catholic cause. The themes of Catholic devotion and saintly embodiment are discussed through two important aspects of their engagement with the visual arts: palace display in which devotional works were hung prominently and portraits in which the queens embody saintly guises. Artworks from their chapels, too, will be considered; these spaces were dominated by Marian imagery, which suited both theological and dynastic interests. Although operating within different political contexts and personal agendas, they marshalled such imagery to promote the Catholic cause and perform their piety.     

Foodways and community at the Late Mississippian site of Parchman Place

ABSTRACT

Communal eating events or feasts were important activities associated with the founding and maintenance of Mississippian communities in the southeastern United States. More often than not, however, archaeological deposits of food refuse are interpreted along a spectrum, with household-level consumption at one end and community-wide feasting at the other. Here, we draw attention to the important ways that domestic food practices contributed to social events and processes at the community level. We examine ceramic, botanical, and faunal assemblages from two fourteenth-century contexts at Parchman Place (22CO511), a Late Mississippi period site in the northern Yazoo Basin. For the earlier deposit, everyday ceramics and plant foods combined with high-utility deer portions and exotic birds suggest potluck-style feasting meant to bring people together in the context of establishing a community in place. We interpret the later deposit, with its pure ash matrix, focus on serving wares, and purposeful disposal of edible maize and animal remains, as the result of activities related to maize harvest ceremonialism. Both practices suggest that household contributions in general and disposal of domestic food refuse in particular are critical yet underappreciated venues for creating and maintaining community ties in the Mississippian Southeast.