Between Georgia and Ohio: Constructing the Covid-19 Disaster in the United States

As the Covid-19 pandemic continues to unfold around the world, governments engage in diverse decision-making processes that shape everyday living patterns, rituals and livelihoods. This article compares and examines state-level governmental influences on the social construction of the Covid-19 disaster in the United States, specifically analyzing the states of Ohio and Georgia. The authors interrogate how governing bodies and officials in these states differentially construct the crisis and reshape social norms during periods of liminality.     

Reconstructing ancient Maya animal trade through strontium isotope (87Sr/86Sr) analysis

This study explores the potential for using strontium isotope analysis (⁸⁷Sr/⁸⁶Sr) to study ancient Maya animal exchange. Traditional zooarchaeological methods of studying trade rely on the identification of animals found outside their natural geographic or habitat ranges. Isotopic analysis provides an additional means of identifying and sourcing non-local animals. ⁸⁷Sr/⁸⁶Sr values from Maya zooarchaeological remains indicate that regional and long-distance transport and exchange of animal goods was more common than previously recognized. Widely distributed animals including deer and peccary were among the animals exchanged, which questions their common interpretation as locally-acquired resources. The isotopic results contribute to our understanding of how animal products were integrated into Maya economic and exchange networks. The research is also relevant to human mobility studies in Mesoamerica.     

Picturing Confessional Politics at the Stuart Court: Henrietta Maria and Catherine of Braganza†

The deep confessional tensions in Stuart Britain were embodied in its Catholic queens. Queens, in their portraits and in the artworks in their palaces and chapels, were positioned within this dialectic, with the competing expectations of their husbands, their families, their religious retinues, the papacy, their own personal devotions, and the public against a changing political situation. This article examines how the visual arts provided a powerful tool for Henrietta Maria and Catherine of Braganza in this dynamic, both in claiming and facilitating piety and in advancing the Catholic cause. The themes of Catholic devotion and saintly embodiment are discussed through two important aspects of their engagement with the visual arts: palace display in which devotional works were hung prominently and portraits in which the queens embody saintly guises. Artworks from their chapels, too, will be considered; these spaces were dominated by Marian imagery, which suited both theological and dynastic interests. Although operating within different political contexts and personal agendas, they marshalled such imagery to promote the Catholic cause and perform their piety.