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The deep confessional tensions in Stuart Britain were embodied in its Catholic queens. Queens, in their portraits and in the artworks in their palaces and chapels, were positioned within this dialectic, with the competing expectations of their husbands, their families, their religious retinues, the papacy, their own personal devotions, and the public against a changing political situation. This article examines how the visual arts provided a powerful tool for Henrietta Maria and Catherine of Braganza in this dynamic, both in claiming and facilitating piety and in advancing the Catholic cause. The themes of Catholic devotion and saintly embodiment are discussed through two important aspects of their engagement with the visual arts: palace display in which devotional works were hung prominently and portraits in which the queens embody saintly guises. Artworks from their chapels, too, will be considered; these spaces were dominated by Marian imagery, which suited both theological and dynastic interests. Although operating within different political contexts and personal agendas, they marshalled such imagery to promote the Catholic cause and perform their piety.  相似文献   
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In the 1920s pilots overflying the Transjordan panhandle discovered thousands of enigmatic stone-built structures which the beduin called ‘’The Works of the Old Men’. We now know these works are several thousand years old, extend from Syria to Yemen and probably number a million or more, making them far older and significantly more extensive than Peru’s Nazca Lines. Like the latter they are often unseen and seldom intelligible at ground level. Now an aerial reconnaissance programme in Jordan and high-resolution satellite imagery from Google Earth for large areas of Arabia is vastly expanding the database bringing transformation and opportunity. Despite regional and diachronic variations, these works are plainly parts of an immense prehistoric cultural continuum surviving as hunting traps, funerary/religious sites and seasonal camps. Extensive sampling and test-mapping show patterns and associations which suggest methodologies for developing a remote sensing programme to record, map and begin analysis for interior Arabia as a whole. On such foundations may be built interdisciplinary collaboration to interpret and explain this little-known human landscape on the fringes of the Fertile Crescent.  相似文献   
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Thornton B. Edwards 《Folklore》2013,124(1-2):49-56
Recently, correspondents in FLS News have shown a great deal of interest in sugared almonds. In particular, there has been a keen awareness of continental traditions (especially French and Italian) involving the giving of sugared almonds at weddings and baptisms (see: Hazel 1991; Sughrue 1991; Stone 1991; Wood 1991; Simpson 1992; Tatem 1992). Sugared almonds are also important in Greek rites of passage, and many uses are unique to that country.1 Much of the information in this article comes from the island of Cephallonia, where I came to live in 1986, yet close parallells can be seen in other parts of Greece. Much of the information is also personal—I got engaged and then married in the same year I arrived, I was received into the Orthodox church, and both my children have been baptised in that faith. On each of these occasions, sugared almonds were given. Living and worshipping with the Cephallonians has enabled me to share many of their joys and sorrows, and to see the various ways in which the sugared almonds are used.  相似文献   
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ABSTRACT

Communal eating events or feasts were important activities associated with the founding and maintenance of Mississippian communities in the southeastern United States. More often than not, however, archaeological deposits of food refuse are interpreted along a spectrum, with household-level consumption at one end and community-wide feasting at the other. Here, we draw attention to the important ways that domestic food practices contributed to social events and processes at the community level. We examine ceramic, botanical, and faunal assemblages from two fourteenth-century contexts at Parchman Place (22CO511), a Late Mississippi period site in the northern Yazoo Basin. For the earlier deposit, everyday ceramics and plant foods combined with high-utility deer portions and exotic birds suggest potluck-style feasting meant to bring people together in the context of establishing a community in place. We interpret the later deposit, with its pure ash matrix, focus on serving wares, and purposeful disposal of edible maize and animal remains, as the result of activities related to maize harvest ceremonialism. Both practices suggest that household contributions in general and disposal of domestic food refuse in particular are critical yet underappreciated venues for creating and maintaining community ties in the Mississippian Southeast.  相似文献   
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