Mortars in context: An integrated study of mortars and plasters from the so-called Ginnasio in Solunto (Sicily,Italy)

This paper presents a multipronged scientific study of mortars and plasters of the so-called Ginnasio in the Hellenistic–Roman city of Solunto (Sicily, Italy). A selection of 16 well-contextualized samples was collected to represent different functions and building phases of this private house. The results show that a variety of locally available raw materials was used as aggregates and to produce binders. The diversity of raw materials’ sources and production techniques identified in this study reveals the advanced technological knowledge of the builders of Solunto, indicating a complex relationship between the settlement's cityscape and its surrounding landscape.     

Outsourcing the Business of Development: The Rise of For-profit Consultancies in the UK Aid Sector

While much attention has been paid to the ways in which the private sector is now embedded within the field of development, one group of actors — for-profit development consultancies and contractors, or service providers — has received relatively little attention. This article analyses the growing role of for-profit consultancies and contractors in British aid delivery, which has been driven by two key trends: first, the outsourcing of managerial, audit and knowledge-management functions as part of efforts to bring private sector approaches and skills into public spending on aid; and second, the reconfiguration of aid spending towards markets and the private sector, and away from locally embedded, state-focused aid programming. The authors argue that both trends were launched under New Labour in the early 2000s, and super-charged under successive Conservative governments. The resulting entanglement means that the policies and practices of the UK government's aid agencies, and the interests and forms of for-profit service providers, are increasingly mutually constitutive. Amongst other implications, this shift acts to displace traditional forms of contestation and accountability of aid delivery.     

The character of creativity: Two traditions

Throughout Western history there have been two sharply differentiated beliefs about the character of creativity. However, one of these beliefs—Judaeo-Christian and neo-Platonic—has occupied such a dominant position that the very existence of the other has been obscured and ignored. Yet the evidence for this second belief is no less extensive or vivid. It has never been formulated in the same way as the first and so has never constituted a tradition as such; yet it has existed over as long a period of time and can therefore be called a tradition. Moreover, this second belief seems to bear a closer relation to the character of creativity displayed by people regarded as ‘creative’, as well as to what we have learnt about creativity in this century from psychologists. Attitudes to creativity in the modern period have generally been based on the first tradition, but the activities of creative people have borne out the validity of the second tradition. The attitudes, in other words, have been based on false expectations. To recover the lost tradition, therefore, may enable us to see more accurately what we may or may not achieve by being creative.     

Transnational environmental obligations: locating new spaces of accountability in a post-Westphalian global order

The growth of transnational environmental harm is not only leading to new obligations between states, it is also recasting democratic accountability for the crossboundary environmental performance of public and private actors. Informed by pragmatist ideas on public discourse, I propose a conceptual schema for understanding the moral geography of these new transnational environmental obligations: they mark out non-territorial spaces of public communication delimited according to moral precepts of harm prevention, inclusiveness and impartiality. I outline how the recognition of transnational affected publics is reconstituting and rescaling environmental accountability within international regimes of harm prevention and liability. The critical geopolitical challenge in institutionalizing non-territorial domains of environmental accountability will be the mapping and empowerment of transnational affected publics.     

William Rufus: myth and reality

The commonly accepted view of the reign of William II (1087–1100) is a political myth, primarily the work of Eadmer, who depicted the king as the villain against whom St Anselm strove to impose the revolutionary Gregorian reform programme in England. Henry I, moreover, denigrated his brother's regime as a cover for furthering William's harsh but constructive policies. Eadmer's writings were quarried by subsequent twelfth-century writers in the mainstream of the English monastic historical tradition, who added their own literary embellishments. Nineteenth-century historians uncritically accepted these accounts and Henry I's gloss on the reign. They then contributed moral judgements of their own, which passed without qualification into modern secondary works.This paper re-evaluates William II's political and governmental achievements, and his ecclesiastical policy. His character is considered in the light of recent work on twelfth-century intellectual and psychological attitudes, and the accounts of more favourable chroniclers. It is concluded that the king developed his father's strong policies in every direction with considerable success, making possible the more publicized but essentially imitative work of Henry I. William's expansion and consolidation of national frontiers, his legal and financial developments, and his maintenance of royal control over the Church are revealed under the distortions of ecclesiastical and Henrician historiography.     

The technological development of stonepaste ceramics from the Islamic Middle East

The microstructures and chemical compositions of stonepaste bodies from the Islamic Middle East, typically produced from a mixture of ten parts crushed quartz, one part crushed glass and one part white clay, are investigated using analytical scanning electron microscopy. For comparison, replicate stonepaste bodies are produced in the laboratory at firing temperatures in the range 900–1200 °C, and are similarly examined. The stonepaste bodies are divided into four primary microstructural groups that reflect the increasing reaction during firing of the glass fragments with the clay and quartz particles. The observed microstructures are then used to assess the geographical and chronological variations in the production technology of stonepaste ceramics from Egypt, Syria, Iran, Uzbekistan and Turkey, spanning the period from 11th to 17th centuries AD.