The Evolution of Innovation Networks and Spin-off Entrepreneurship: The Case of RAD

Abstract

We conducted an in-depth analysis of an Israeli startup, RAD Bynet, founded in 1981, that has intentionally, through the vision of its founder, given rise to 129 other startups employing some 15,000 workers, and created a unique “cloud”. Through a survey of the existing firms, we sought to explore the nature of this ecosystem and to quantify the relationships that exist between the mother company and the enterprises that emerge from it. Our main findings were: (a) social and technological proximity encourages the tendency of the companies to maintain business relationships that probably contribute to knowledge exchange, while technological diversity drives innovation and startup formation; and (b) firms will choose to cooperate on the basis of a shared past and personal proximity relations, as well as technological proximity at a certain level; “viral clouds” of startups like the one we studied can thus intentionally be designed and developed.     

Creativity,geopolitics and ontological security: satire on Russia and the war in Ukraine

ABSTRACT

Some states create geographical imaginaries that envision the homeland as coherent and good, and the spaces of Others as disordered, dangerous and therefore legitimate objects of violence. Such ‘violent cartographies’ serve not only to justify policy actions, but constitute bordering practices aiming to provide stability, integrity and continuity to the Self, sometimes referred to as ‘ontological security’. This article examines the role of creativity and artistic imagination in challenging dominant geopolitical narratives. It examines satire on the Russian-language internet, which played upon the Russian state’s geopolitical narrative about the war in Ukraine 2014–15. Three themes within this dominant narrative – (1) the imperialist idea of Russia as a modernising force, (2) the gendering of Ukraine as feminine and Europe as homosexual and (3) the idea that the current war was a re-enactment of Russia’s historical battle against fascism – all became the object of fun-making in satire. I argue that satire, by appropriating, repeating but slightly displacing official rhetoric in ways that make it appear ridiculous, may destabilise dominant narratives of ontological security and challenge their strive towards closure. Satire may expose the silences of dominant narratives and undermine the essentialism and binarism upon which they rely, opening up for estrangement and disidentification.