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One recent innovation in the Francophone theater of western Canada is the use of narrativized dramatic monologues. The monologue form has a long history in Quebec, so it should come as no surprise that western Canadian playwrights have also been drawn to it. What I argue in this article is that the monologue form may signify differently in minority Francophone theater, which has previously been a site for collective expressions of memory and identity. I focus on two works written by playwrights with Saskatchewan roots, but first performed in Alberta – Il était une fois Delmas, Sask … mais pas deux fois! by André Roy and Claude Binet (2006) and Elephant Wake by Jonathan Christenson and Joey Tremblay (1999). I chose these two because they both recount stories of Francophone villages founded, built, and then gradually abandoned or overwhelmed by Anglophones. They are both tales of the missionary zeal of settlement, community cohesion based on church and French heritage, and the slow disintegration of once vibrant rural villages. While the first was written in French with occasional use of English, the second was written in English with occasional use of French.  相似文献   
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Digitization and the internet have posed an acute economic challenge to rights holders in the cultural industries. Faced with a threat to their form of capital accumulation from copyright infringement, rights holders have used discourse strategically in order to try and legitimate and strengthen their position in the digital copyright debate with governments and media users. In so doing, they have appealed to general justificatory principles – about what is good, right, and just – that provide some scope for opposition and critique, as other groups contest their interpretation of these principles and the evidence used to support them. In this article, we address the relative lack of academic attention paid to the role of discourse in copyright debates by analysing user-directed marketing campaigns and submissions to UK government policy consultations. We show how legitimacy claims are justified and critiqued, and conclude that amid these debates rests some hope of achieving a more legitimate policy resolution to the copyright wars – or at least the possibility of beginning a more constructive dialogue.  相似文献   
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In celebration of the 21st anniversary of Gender, Place and Culture, I have taken the opportunity to argue for an affirmative politics for feminist geography. I offer a set of rhizomatic recollections of individualized moments of limit experiences that I have encountered in my own academic practice as a feminist geographer. Although perhaps not as transformative as one might expect, the limit experiences I write about are at the very least an attempt to garner attention to those experiences that transform us into academic subjects. As reflections, these recollections are an experiment in the practice of writing as part of an affirmative politics – a collective project valuing potential and possibilities. Through the writing, I assist this collective effort by many colleagues in orienting the wider projects of reflexivity, autoethnography, and autobiographical writing away from the undermining charge of being narcissistic habits borne out of the harsh criticism of not engaging the power that swirls around us toward the affirming claim of being part of a sustainable ethics whereby researchers and scholars can write from an embodied, embedded self through recounting their own intellectual and social practices.  相似文献   
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There has been a growing body of research exploring the mobility experiences of rural youth as they migrate in search of work, education and leisure. In this article we contribute to this body of knowledge by examining the mobility experiences of young women (16–24 years) living on the southwest coast of Newfoundland, Canada. In contrast to dominant constructions of rural crisis that position out-of-the-way places as in decline, dying or dead, we argue that the young women in our study articulated complex, affective relations to place. In so doing, they negotiated localized histories, prevailing social relations, broader discursive constructions and embodied affective connections in forging their emplaced feminine subjectivities. We argue that foregrounding the complex and at times contradictory relationships that the young women articulated with their rural homes is an important step in prying open dominant albeit constraining constructions of the rural, thereby allowing for alternative and more inhabitable imaginings of out-of-the-way places.  相似文献   
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In this guest editorial the authors look at the association of four blood types with four Hippocratic personality types in Japan and in matching lovers through dating services in the West.  相似文献   
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