The Highgate Cemetery Vampire Hunt: The Anglo-American Connection in Satanic Cult Lore

The purpose of this paper is the study and analysis of a fairly widespread false idea. I mean to take seriously one of these shreds of lore that are by and large known to everyone, and try to understand the traits that make it seductive and convincing. It seems to me that the main problem set by false ideas is that they are rooted in the collective consciousness.

The false idea chosen as an example asserts that the image of the murderer is retained on a victim's retina after death and can be retrieved through photography. In tribute to Edgar Poe's The Tell-Tale Heart, I have chosen to designate this assertion as “The Tell-Tale Eye.” Our journey through this false idea will lead us towards a legend built around a technical process, that of photography, but also towards the seductiveness of a magical thought, in which it is the victim's own body that accuses the murderer.     

Africa after the Cold War: New Patterns of Government and Politics

The state-system of Africa is still essentially the one created by the colonial powers and passed on intact at independence. But the political economy of these states — the substance of political life within fixed territorial boundaries — is changing very profoundly as a result of the breakdown of the style of government of recent decades and the decline of economies based on the export of primary commodities. The political economy which is emerging, still within the same territorial boundaries, is best understood by reference to Africa's history over a long period.     

The Panstereorama: City Models in the Balloon Era

The nineteenth-century ‘panstereorama’ was an urban relief model placed on display as a public spectacle. In this article, I consider first two affiliated forms that help to explain the genre, namely panorama paintings and plans-reliefs. I then go on to consider urban regional practices of city modelling in London and Paris before examining in detail panstereoramas representing Paris and New York. It is argued that this form of model urban cartography served as proxy for the view obtained from the increasingly popular balloon trip and that it accordingly provided virtual travel to, and a map of, the cities depicted.