依旧是“客人”：印度加尔各答客家人认同的重塑

从奥兰多·帕特森的种族定义入手,探讨加尔各答客家人种族认同的构成,就加尔各答客家人而言,有三个因素对确立和维持其认同具有重要意义：即国家和民族政治、不同种族从事不同职业的分层制经济和东道国以“洁”与“不洁”之间的象征性对立为基础的宗教制度。种族、种姓、语言和宗教是维持种族认同的几个重要因素。种族认同会随着条件的变化而发生转变,由于职业、教育和政治环境迥然不同,客家人其认同轨道会截然不同。     

Identifying Female in the Halaf: Prehistoric Agency and Modern Interpretations

This article considers ways that representations of anthropomorphic imagery in the form of figurines from prehistoric village communities have been interpreted and provides a new framework for analyzing figurines. It has been long suggested that prehistoric figurines should be interpreted as representations of female gendered qualities related to ritual, fertility, and motherhood combined into a concept called “mother goddess.” The impetus for the adoption of this interpretation and evidential association with prehistoric figurine assemblages and bound to binary gender is briefly critiqued. The methodology for studying figurine assemblages presented here utilizes typological, archaeological, and comparative analysis and is cognizant of inherent ambiguities in the object biographies of the full assemblage. This study applies this methodology to a corpus of figurines excavated from sixth millennium settlements associated with the Halaf material culture. This approach is then operationalized with case studies of figurines excavated from Domuztepe (Turkey) and Chagar Bazar (Syria) as examples of engagement with those who conceived, made, used, and discarded them. The Halaf figurine corpus is shown as nuanced, displaying sexual difference and humanness on a spectrum from overt to ambiguous. Considered as a whole, the Halaf corpus is shown to have had mundane and mutable use lives related to embodied identities entangled with culture and community, unconnected to gender binaries, ritual, fertility, or motherhood.     

Atlantic salmon, archaeology and climate change in New England

A paucity of archaeological remains of Atlantic salmon in Northeast North America has been cited as evidence that the species may have been present in the region only during and after the Little Ice Age (ca. 1450–1850 AD), one of coldest periods of the Holocene. However, significant problems of preservation, recovery and identification remain. Here, improved methods of identification use vertebra structure to distinguish salmon from trout, and strontium/calcium ratios to differentiate sea-run from landlocked salmon. In addition to the Little Ice Age, Atlantic salmon is identified in tightly dated contexts at 7000–6500 and 3500–3000 calendar years BP, during climate periods that were comparatively warm and wet.     

Diverse unity: creole contributions to interethnic integration in Guinea‐Bissau

The paper explores how creole categories of people who have constituted a small but influential minority in Guinea‐Bissau for centuries contributed to a countrywide, integrated national culture since the eve of independence in 1974. Since independence, several cultural representations previously exclusive to creole communities have been – driven by the nationalist independence movement and the early postcolonial state – transformed into representations of a new national culture, crossing ethnic and religious boundaries. The fact that creole identity and culture had been transethnic – i.e. creole identity brings together individuals of heterogeneous cultural, ethnic and geographic descent – during the colonial period, has fostered in postcolonial times the countrywide spread of previously exclusively creole cultural features. I argue that this ‘transethnicisation’ of creole cultural representations has unified Bissau‐Guineans across ethnic lines, causing a strong commitment with their nation ‘from below’.     

Avenging ‘Bridget’: Irish domestic servants and middle-class America in the short stories of Maeve Brennan

This article will examine the representation of Irish women servants in Maeve Brennan's short stories, first published in The New Yorker in the 1950s, and collected in The Rose Garden (2001). The Irish ‘Bridget’, the most publicly visible, if troubling, image of Irish womanhood in late nineteenth- and early twentieth-century America, has received much-needed attention from historians and social scientists in the last decade, and is a central figure in discussions of Irish women and diasporic identity in the American context. Drawing on this body of work, and focusing in detail on key stories from the collection, including ‘The Bride’, ‘The View from the Kitchen’, ‘The Anachronism’, ‘The Divine Fireplace’, and ‘The Servants’ Dance', I argue that Brennan's reimagining of the Irish Bridget can be approached as a form of feminist revisionism, as Brennan's stories enter into a charged dialogue with the history of imagining the Irish woman servant as an undesirable but necessary presence in middle-class American domestic culture. Brennan's self-reflexive reworking of this paradigm is informed by her work as a satirist for The New Yorker, and proves an effective means of writing back to this problematic history, as she takes up recognisable tropes and motifs from earlier representations of Bridget in popular and literary culture, and alters them in knowing and subversive ways.