Settler colonialism and cultural policy: the colonial foundations and refoundations of Canadian cultural policy

This article aims to reintegrate the colonial history of Canada as part of the grids of analysis for understanding the evolution of its Federal cultural policy. Building on the notion of settler colonialism and its implication for Indigenous population (For the purposes of this paper, the term ‘Indigenous’ is used in place of, perhaps, more popular or familiar terms – such as ‘Aboriginal’ or ‘Native’ – in order to remain consistent with current Indigenous politics. In particular, some Indigenous scholars are reluctant to accept the label Aboriginal because they feel it is consistent with the colonial order imposed by the Canadian government [Alfred and Corntassel 2005, p. 599]). The term Indigenous also alludes to a global political awareness and to forms of alterity between different populations from North America, South America, Asia, and the Pacific. in Canada, this paper documents different transformations in cultural policy and illustrates some of its paradoxes and challenges. Building on principles developed by Indigenous scholars, this article highlights some of the components for decolonizing cultural policy in Canada. It is argued that a post-colonial cultural policy must build on the grounds of ethics (and ethos).     

Different staining substances were used in decorative and therapeutic tattoos in a 1000-year-old Peruvian mummy

From a 1000-year-old mummy, found unwrapped in the sand of the desert at Chiribaya Alta in Southern Peru, two different kinds of tattoos were investigated: decorative tattoos displaying different animals and symbolic ciphers were present on the extremities and tattooed circles on the neck region.     

Early Anglo-Saxon Gold Braids

GOLD threads have been found in many Anglo-Saxon and continental Germanic graves of the period from the 5th to the 8th century A.D. (see catalogue, pp. 66 ff.). Early recognized as the remains of costly woven decorations to headdresses and the borders of garments, during the 19th century particularly they attracted much interest and discussion, some of it very pertinent.¹ Technical attention, however, of the kind required by their fragmentary state, was not then available, and it is only comparatively lately that the discovery of fresh examples in some newly excavated Frankish graves has caused a revival of interest in the subject, with the hopeful prospect of detailed technical studies to come from the continent in the future.     

Science as culture and leisure: cultural policy,industry and scientific culture in the Canadian context

Government ministries of industry have long been promoters, co‐producers and even sometimes producers of cultural policy – from local and regional development strategies to initiatives that fund cultural organizations to support emerging fields such as the technological arts. This article explores the relationship between cultural policy‐making, science museums and industry ministries in Canada. More specifically, this article investigates the emergence and institutionalization of scientific culture policy as a result of advocacy by science centres in the 1980s. Beyond the delineation of scientific culture as a field and of the contribution of industry ministries to cultural policy, this article highlights the entrepreneurial strategies of cultural organizations and their impact on policy and facilities, thus suggesting that cultural organizations are not just passive instruments of social regulation and reform.     

Correspondence(s) in The Pen Friend by Ciaran Carson

In The Pen Friend published in 2009, Ciaran Carson draws upon the form of the epistolary novel, albeit in a somewhat non-conformist way. How to convey reality through language, or languages – photography, painting among others – is once more the purpose of the writer, even though subject and form have been renewed. This article aims at showing how the reader is transported into a world full of correspondences, a world transfigured by the power of language.     

Comment

This comment responds to Hibba Abugadeiri's ‘The Scientisation of Culture: Colonial Medicine's Construction of Egyptian Womanhood, 1893–1929’ and Laura Bier's ‘Modernity and the Other Woman’: Gender and Citizenship in the Egyptian Press, 1952–1970’. Both articles contribute to our understandings of the connections between constructions of gender identity, national identity, and imperial identity. After directing some questions to each author individually, this comment examines the ways in which the two articles combine to raise questions about the power of the press in an emerging public sphere, the importance of claims to modernity in assertions of national independence and the complexity of identity formation in periods of intense political change.