Holey Goats: Multiple Cases of Supratrochlear Foramina in the Humerus of Caprines from the New Kingdom Pharaonic Town of Amara West,Northern Sudan

Supratrochlear foramina (STF) were recorded in fifteen per cent of goat and sheep/goat humeri from the New Kingdom pharaonic town of Amara West, in modern northern Sudan. To the authors’ knowledge, this trait has never before been reported in the published literature for goats or sheep, whether from archaeological or modern contexts. The aim of this work is twofold: to contribute to the growing corpus of studies addressing the incidence and aetiology of STF, and to raise awareness for their possible presence in caprines, thus encouraging their identification and recording in archaeological assemblages.     

“That’s Just a Family Thing, You Know”: Memory, Community Kinship, and Social Belonging in the Hagg Cottages of Cheshire, North-West England

The Alderley Sandhills Project (ASP) was designed to archaeologically explore the transformative roles of industrialization and de-industrialization on the working communities of rural England. Collection of oral histories was an intrinsic element of fieldwork, with project participants including elderly former residents and neighbors of the excavated cottages. Their narratives provided a crucial source for understanding social meanings of the archaeological objects and places within this study site, particularly over the inter-war decades of the early twentieth century. Drawing from elements of this multi-year project, this paper will explore the dynamic maintenance of community life through the composition of social memories, and the materiality of social belonging, to illuminate the inner world of the Hagg Cottages of Alderley Edge, Cheshire.     

The irreparable and the imprevidible: fathers and failures at Joyce's family circus

This paper reconsiders ideas of the father in Joyce's writing. It does so by examining in detail those ideas as they are elucidated through circus anecdote and imagery. The focus rests decisively on Ulysses (1922), but references to Joyce's earlier writing and to Finnegans Wake (1939) demonstrate the enduring popularity of the circus as image or metaphor for the author. The paper works broadly to contextualise hitherto overlooked circus references within the history of nineteenth- and early twentieth-century popular culture – Joyce is here connected to circus clown Johnny Patterson, music hall star Henry Clifton, and artist Jack B. Yeats. Through this history, it appears that Joyce imitates others in placing male authorities within both actual and invented circus rings to question legitimate influence in local domestic and wider social settings. It moves between these two locations to assess disquieting consequences of imagining political authority within this particular performance space in the fraught period of Irish history from 1904 to 1922.     

The structure of band society

M. G. Bicchieri, ed. Hunters and Gatherers Today: A Socioeconomic Study of Eleven Such Cultures in the Twentieth Century. New York: Holt, Rinehart and Winston, 1972. xiv + 494 pp. Illustrations, maps, figures, and tables. $10.00.