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Leena Rossi 《Scandinavian journal of history》2013,38(4):437-439
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This paper presents the results of the analysis carried out on a polychrome wood mask from Papua New Guinea during conservation work at Pigorini Museum's restoration laboratory. The significance of this study is that no prior work has characterized the painting materials of Papua New Guinea masks both with spectroscopic and internal microstratigraphic analysis. In fact, these objects were studied especially from an anthropological or conservative point of view and the wood was wrongly defined by its visual appearance. Microstratigraphic and spectroscopic investigations discovered a refined execution technique that up to now has not been demonstrated. The stratigraphy of the painted layers demonstrates a deep knowledge of the materials and of the application techniques on the part of the Papua New Guinea people, together with the ability to foresee the aesthetic result for the artefact. The analysis of the constitutive materials and of the stylistic features supplied valid results in favour of provenance of the mask from Papua New Guinea. 相似文献
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Luigi Enrico Rossi 《Symbolae Osloenses / auspiciis Societatis Graeco-Latinae》2013,87(1):103-112
This article opposes the view (propounded recently by O'Hara on the basis of Austin) that there is a calculated ambiguity in Aen. 1, 286–296, to the effect that Caesar the Dictator is as relevant for the interpretation as Augustus. Asserting that Vergil refers only to the latter the present author discusses particular problems, tries to elucidate the underlying historical situation and identifies it specifically with the very beginning of the principate (29 B.C.) showing i.a. that the Parthian question is not pertinent. 相似文献