Strontium isotope analysis and human mobility during the Neolithic and Copper Age: a case study from the Great Hungarian Plain

From the Late Neolithic to the Early Copper Age on the Great Hungarian Plain (4500 BC, calibrated) a transformation in many aspects of life has been inferred from the archaeological record. This transition is characterized by changes in settlements, subsistence, cultural assemblages, mortuary customs, and trade networks. Some researchers suggest that changes in material culture, particularly the replacement of long-occupied tells with smaller, more dispersed hamlets, indicates a shift from sedentary farming villages to a more mobile, agropastoral society that emphasized animal husbandry and perhaps secondary products of domestication. In a previous study (Giblin, 2009), preliminary radiogenic strontium (⁸⁷Sr/⁸⁶Sr) isotope data from human dental enamel showed that Copper Age individuals expressed more variable isotope values than their Neolithic predecessors. These data provided support for the idea that Copper Age inhabitants of the Plain were acquiring resources from a greater geographic area, findings that seemed consistent with a more mobile lifestyle. In this article a larger sample from human and animal skeletal material is used to re-evaluate earlier work and shed new light on the transition from the Neolithic to the Copper Age in eastern Hungary. The expanded sample of strontium isotopes from human dental enamel shows that ⁸⁷Sr/⁸⁶Sr values are more variable during the Copper Age, but the change is more pronounced in the Middle Copper Age than in the Early Copper Age. These results, along with recently published complementary research, indicate that the transition from the Late Neolithic tell cultures of the Plain to the more dispersed Copper Age hamlets was more gradual than previously thought, and that the emergence of an agropastoral economy does not explain changes in settlement and material culture.     

Lord Salisbury,Mr. Chamberlain and South Africa, 1895–9

In the closing decades of the nineteenth century the idea of Greater Britain, of the unity of the Anglo-Saxon colonies and the ‘mother country’, became a topic of considerable interest and controversy amongst the metropolitan intellectual and political elite. This article examines the roles played by the monarchy in the debates. Queen Victoria, as both idea and institution, assumed two central functions. First, it was argued that the institution of the monarchy, stretching back over centuries, could supply an anchor of permanence and constitutional fidelity in a redesigned global polity. This would reassure critics of such schemes that their fears about fundamental transformation were unfounded; that a thread of historical continuity ran through the proposals. Secondly, Victoria – or at least an idealised representation of her – acted as the linchpin for a sense of global national identity. The prestige and admiration that she (and the institution of the monarchy itself) generated, it was contended, bound the distant peoples of her realm in close communion. Moreover, the way in which she was sometimes represented in imperial debate harked back to (while modifying) an older civic humanist language of ‘patriot kingship’.     

Migration and Viking Dublin: paleomobility and paleodiet through isotopic analyses

During the early medieval period in Ireland, Dublin was established as the largest Viking settlement on the island in the ninth century AD. A previous biodistance study has suggested that the population of the town consisted of a polyethnic amalgam of immigrant and indigenous. In this study, we use biogeochemistry to investigate paleomobility and paleodiet in archeological human remains from the ninth to eleventh century levels at the sites at Fishamble Street II (National Museum of Ireland excavation number E172), Fishamble Street III (E190) and John’s Lane (E173), as well as twelfth-century remains from Wood Quay (E132). Through radiogenic strontium isotope, stable oxygen, carbon, and nitrogen isotope, and elemental concentration analyses, we investigate the origins of the individuals who lived and died in early and late Viking Dublin. Mean archaeological human enamel and bone isotope values from Dublin are ⁸⁷Sr/⁸⁶Sr = 0.70975 ± 0.00139 (2σ, n = 22), δ¹³C_{carbonate(V-PDB)} = −14.8‰ ± 0.8‰ (1σ, n = 12), and δ¹⁸O_{carbonate(V-PDB)} = −7.2‰ ± 1.0‰ (1σ, n = 12). Archaeological human bone samples exhibit mean δ¹³C_{collagen(V-PDB)} = −20.8‰ ± 0.5‰ (1σ, n = 12) and mean δ¹⁵N_{collagen(AIR)} = +10.0‰ ± 1.7‰ (1σ, n = 12). Comparing these data with archaeological faunal data from Dublin and published data from northern Europe, we argue that there are no clear immigrants from other parts of the North Atlantic, although there is one clear outlier in both origins and diet. Overall, the relative homogeneity in both paleomobility and paleodiet may support models of acculturation in Viking Dublin, rather than a high number of first-generation immigrants or continued migration from Scandinavia.     

Annie Moore and the archives of displacement: towards an immigrant history of the present

Annie Moore, the first immigrant to enter the USA through the Ellis Island immigrant processing station, stands as an originary figure of the so‐called golden age of European immigration to the USA in the late nineteenth century. The contemporary archivization of the Irish immigrant Annie Moore in the Ellis Island Museum, New York and the Cobh Harbour Heritage Centre in County Cork, Ireland repeats the democratic rhetoric of immigration which underpins the foundation of the USA, as well as the national imaginary of Ireland. Yet in so doing, this archivization effaces the hierarchies of race and class that have historically underpinned the democratic rhetoric of immigration. With reference to Jacques Derrida's work on the archive and hospitality, this article expands on a performance‐based critical art intervention into the archivization of Annie Moore entitled ‘Calling Up Annie Moore’. Focusing on the blindspots, ellipses and discontinuities which the archive represses, the article traces the different histories and experiences of immigration which the art intervention disclosed.     

An assessment of blanket mire degradation and Peatland Gully development in the Cheviot Hills,Northumberland

This paper provides the first systematic assessment of blanket mire degradation in the east Cheviot Hills, Northumberland. The extent of erosion is mapped over a 32 km² area of peat. Erosion affects 37% of the blanket peat. Erosion forms consist of anastomosing (7%), linear (21%) and dendritic (9%) gully systems together with peat slides (<1%). Topography is the primary influence on gully system pattern. Spatial variations in gully form can be partly explained by position in the stream network (stream order) and local variations in the depth of peat. A sequential scheme of gully development is described. Gullies evolve initially through a phase of rapid downcutting to the peat base, followed by lateral erosion and gully widening becoming dominant through a process of roughly parallel wall retreat. As gully width increases re‐deposition of peat occurs and re‐vegetation occurs on the gully floor. Comparative photography reveals that gully patterns have been stable over the past 32 years and in some areas for over 70 years. It is possible that gully systems in places are in excess of 500 years old.     

The 2010 Cultural Olympiad: playing for the global or the local stage?

Increasingly, local cultural communities are called upon to support global mega‐events such as the Olympic games with the promise that this global occurrence is a ‘once in a lifetime opportunity’ for an urban artistic community. What evidence exists to support the premise that hosting a Cultural Olympiad provides a professional arts sector with positive and substantive legacies, sustained material and financial benefits, or increased national and international profile? Data collected on the Vancouver 2010 Cultural Olympiad suggest that the local arts sector did not enjoy any of the claimed global benefits. However, it is also clear that some arts organizations, by virtue of the artistic and operational decisions they took, were able to exert influence over and upon the outcome; this outcome ultimately depending on whether they elected to play for a global or a local stage.