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In Picturing Heaven in Early China,a consideration of the symbolism of Heaven in early Chinese culture,Lillian Lan-ying Tseng examines the evolution of a pictorial language for the expression of "religious" ideals.By analyzing the architectural,material and literary evidence from the Han dynasty,the author traces the trajectory of Han thought from its first concerns with the notion of Heaven and the involvement of the emperor,to the growing desire for personal immortality at all levels.The book comprises five chapters,which plot the development of Han thought and images of heaven.This is a complex and well-researched examination,whose depth and detail can only be suggested here.  相似文献   
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Situated within the political ecology of hazard, this article is an extended case study of the devastating 2003 wildfires in and around Kelowna, British Columbia (also known as the Okanagan Mountain Park Fire). This article reveals how compliance (or lack thereof) with fire mitigation strategies recommended by provincial, regional, and municipal agencies is complicated by differing social constructions of what constitutes ecologically sustainable forest management and community safety. Three perspectives emerge regarding the urban forests: “nature as hazard”—a volatile force to be controlled; “nature as instrumentally valuable”—a contribution to the character of one's surroundings and subsequent sense of place; and “nature as intrinsically valuable”—a distinct entity to be preserved and protected for its own sake. The article also examines how experiences of disaster influence community perceptions and result in a greater willingness to engage in fire mitigation strategies due to perceptions of heightened vulnerability. Forestry and fire mitigation agencies need to determine multiple courses of action among the varied and valid range of residents’ nature perspectives. The role of human agency in disaster mitigation must be examined, particularly as the risk of fire at the wildland‐urban interface continues to be exacerbated by encroaching human settlements and climate change.  相似文献   
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More iron objects have been found in East Yorkshire than in any other part of Iron Age Britain of comparable size, largely in the burials of the Arras Culture, named after the excavations at Arras near Market Weighton (1815–17). The region also contains one of Britain's largest prehistoric iron production centres, contemporary with the Arras Culture. This article aims to contribute to re-establishing early iron production and consumption, and its social and economic significance in the archaeological mainstream, and demonstrate the importance of understanding ironworking for the Iron Age landscape.  相似文献   
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Reviews of Books     
Abstract

Responding to the relatively sparse literature on choir stall canopies, this article concentrates on the micro-architectural canopies of the Lincoln, Chester and Nantwich stalls of the late 14th century. At Lincoln, a new three-dimensional polygonal canopy design appears, the precedents and sources for which include the York Minster chapter-house stalls, tombs, bishops' thrones and the Stratford monument in Canterbury Cathedral. The circumstances of the commissions of the Lincoln, Chester and Nantwich stalls are explained, with reference to patronage and architectural projects. Ambitious patrons commissioned stalls which broke with the tradition of double-screen construction in order to create impressive tabernacle canopies.  相似文献   
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