Work in crisis: managing fantasies about distant strangers,managing aid workers

This article provides an insight into the world of Polish development workers operating in South Sudan. It shows that the conceptualisations of aid work in terms of a ‘mission’, a unique job with a special, ethical goal, a difficult, risky operation requiring specific skills are not incidental. Instead, the point is made, that such ways of thinking about foreign aid and distant locations are strongly institutionalised sets of values and behavioural patterns, here defined as ‘work in crisis’. This specific notion is shaped by aid organisations who actively promote this rhetoric firstly through producing ‘truth’ about the aid work and project locations, and secondly through governing lived realities of the aid workers. The ‘work in crisis’ rhetoric helps to draw people into a development movement as devoted and allegiant followers. It also enables the management of these employees who are the most crucial for the industry – project coordinators – but who are separated from the organisational headquarters and NGO management by thousands of miles. Finally, it assists in the promotion of foreign aid among wider audiences in donor societies.     

Anti-Slavery and the Reconstitution of Empire

This survey article combines some recent scholarship on anti-slavery with work on humanitarianism and legal history to explore ways in which anti-slavery fed into the legal transformation of the British Empire in the first decades of the nineteenth century. It argues that campaigns for abolition, emancipation, and the amelioration of slavery did more than use law as a means to the end of slave emancipation. Anti-slavery efforts were integral to a larger process of imperial legal reordering: they often aimed, and invariably worked, to transform the legal relationship among subjects, colonial states and the imperial centre.     

Ein Blick in die Tiefe der Seele: Hypnose im Kultur- und Lehrfilm (1920–1936)

Gazing into the Depths of the Soul: Hypnotism in Documentary and Instructional Film (1920–1936). Although part of the medical fold since the 1870s, hypnosis was long relegated to the margins, recognised and used by only a relatively small group of medical professionals. In the decades around 1900 hypnotic techniques were monopolised as a form of medical treatment through a long and in no way linear process. Hypnosis of laymen was vehemently opposed, however, denounced as being far too dangerous. And yet, medical participation in the aura of spectacular intervention into the human psyche garnered support. The medium of both documentary and instructional film served an important function in this regard, conveying popular interest in acknowledging hypnosis as a scientific method. On the basis of four medically accredited films on hypnosis from 1920 to 1936, this paper attempts to investigate how medical experts and these genres, as part of their effort to claim hypnosis from the realm of public spectacle and parapsychological experimentation, worked to stabilise hypnosis as a purified form of medical and psychiatric practice.