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This article examines the struggle for gender-segregated sea bathing in Tel Aviv from the first calls for gender segregation in the 1920s until 1966, when the city of Tel Aviv established a beach for men and women to swim separately. The most effective demands for gender segregation were framed in a civic and not religious discourse. Rather than claiming that gender-segregated swimming was against Jewish values, the ultra-Orthodox party Agudat Yisrael effectively argued that a lack of separate swimming violated their rights as taxpayers who had the right to bathe in the sea just as any other Israeli citizen.  相似文献   
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The present article is an analysis of the emergence of a new Uruguayan author, Armonía Somers (1914–94), as well as the publication in 1950 of her first novel, La mujer desnuda (The Naked Woman). It focuses on the Uruguayan social body of the 1950s, when society lived the paradox of recognizing women in its legal structure, but limiting them in the everyday social and cultural life. In this context, Somers's novel symbolically explores what I call the “crisis of feminine subjectivity,” through the creation of a woman who on her thirtieth birthday decided to throw away all the costumes and masks with which society and tradition imposed feminine roles and, naked, tried new ways of being, new subjectivities. Central to this study is an analysis of the different ways in which historical, social, and cultural demands produce certain kinds of human bodies, especially how they produce a woman's body. The specific argument that underlies this article is that the body inserts itself in conflictive and tense manners with the marks imposed on the genders. This article's theoretical contribution lies in its emphasis on the aesthetic and ethical ramifications of “feminine subjectivities” and “historical marked bodies” in a fiction that presents itself as a black box in which Somers finds herself as a woman who became a novelist in the 1950s and in which readers also find themselves questioning the persistence of gender marks on their own social bodies.  相似文献   
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The present study examines a sample of 105 hunter–gatherer California Amerinds to determine whether fibrocartilaginous musculoskeletal stress markers (MSMs) are better for activity reconstructions than fibrous MSMs. Femoral and humeral head diameters were measured as proxies to body size. All data were analysed for statistical significance using non‐parametric tests. Fibrous MSMs of the left deltoideus, left and right hip adductors, and left and right tibial soleus correlate positively with body size proxies. For fibrocartilaginous MSMs, the right humeral teres minor insertion negatively correlates with humeral head diameter. Both types of MSMs correlate positively with age. More upper limb fibrocartilaginous MSMs display asymmetry than do upper limb fibrous MSMs. Lower limb sex differences were found at the same MSM sites that correlated with body size. Upper limb sex differences at the right teres major, a fibrous site, and the right triceps brachii, a fibrocartilaginous site, seem to reflect activity patterns. Results suggest that fibrocartilaginous MSMs are more useful in reconstructing activity patterns because they display more asymmetry in upper limbs and are less affected by body size than are fibrous MSMs. Yet, correlations with age and a lack of variability at fibrocartilaginous MSM sites may hinder their utility in activity reconstructions. Copyright © 2012 John Wiley & Sons, Ltd.  相似文献   
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Abstract

The restoration of areas contaminated by industrial or mining activities has been a major issue in environmental research in many European countries since the 1980s, and it also constitutes a major area of research at the Helmholtz Centre for Environmental Research — UFZ. Within this research environment, a consortium consisting of natural and social scientists has developed an EU-funded research project aimed at providing problem- oriented, tailored approaches and technologies for the revitalization of contaminated areas. The approach taken by the project is one that seeks to integrate scientific and non-scientific knowledge. In this paper we show how the idea of joint knowledge production between scientists and non-scientists is pursued in the context of the project. We explore how the rather fuzzy presentation of the transdisciplinary approach in the project proposal opens the door to interpretation and appropriation by scientists and practitioners alike. We describe a number of ad hoc solutions that were deployed to overcome specific dissonances during the collaborative production of knowledge (e.g. substituting common group learning for the single-handed elaboration of concepts by one project partner, or substituting the consultation of external experts for the mere gathering of information). Finally, we show how the interdisciplinary research environment at UFZ enhances the ability of the project team to resolve dissonances, improves collaboration between partners, and increases the innovative potential of project outputs.  相似文献   
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