Animate Objects: Shell Trumpets and Ritual Networks in the Greater Southwest

For over a millennium, shell trumpets have been an important part of Southwestern US ritual practice. We investigate the distribution of Southwestern shell trumpets, arguing that they are objects that are accorded animacy and can be used to track the history of different social networks. Using ethnohistoric and ethnographic documentation, at least two traditions of historically linked ritual practices are identified: one associated with serpent iconography and the other with curing, warfare, and sorcery. These two traditions represent enduring dispositions that link various regions of the Southwest through the introduction and adoption of ritual practices associated with migration and the transformation of late prehistoric societies.     

A Science Journalist’s Perspective

A critique of papers in the session on Archaeology and War.

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Résumé  Une critique d’articles concernant la session portant sur l’archéologie et la guerre.

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Resumen  Una crítica sobre los trabajos de la jornada sobre arqueología y guerra.

     

THE ST. LAWRENCE SEAWAY

Book reviewed in this article:
B ullock , F. J.: Ships and the Seaway, J. M. Dent & Sons (Canada) Ltd.
C hevrier , L.: The St. Lawrence Seaway, Macmillan Co. of Canada Ltd.
H ills , T. L.: The St. Lawrence Seaway, Methuen & Co. Ltd.
J udson , C. I.: St. Lawrence Seaway, Follet Pub. Co.
M ayer , H. M.: The Port of Chicago and the St. Lawrence Seaway, University of Chicago Press
M assena O bserver : The Billion Dollar Story, Annual Publications     

Heritage Management and Interpretation: Challenges to Heritage Site-Based Values,Reflections from the Heritage Site of Umm Qais,Jordan

The management of archaeological heritage is complex and problematic for site identity and local culture. Inattention to the array of values of heritage sites leads to the supremacy of a number of them and provides a controversy story of the archaeological site in question. Any heritage management and interpretation effort should correctly identify the different values of the site. Indeed, there is a need to manage and interpret the sites in a way to address the connection between the sites-based values and the associated and surrounding features. In current heritage management practice, values and values-based management are considered to be one of the most important approaches for the management of archaeological heritage. This study aims to understand how the values of the archaeological site of Umm Qais in northern Jordan can be adequately managed as both a natural and cultural landscape. At issue are conflicting views over the different values, their meaning and their uses by the different stakeholders. This research focuses on the ways in which these values are managed and interpreted to the public and whether it is done properly and in a fair manner. The fieldwork study led to a more complex understanding of how conflicting perceptions of values of Umm Qais as a national heritage site by the different stakeholders have affected implementation of management and interpretation projects. The results presented here indicate that the heritage management approach from the case study of Umm Qais focuses specifically on values associated with the physical archaeological aspect of the site, while those associated with the historic neighborhood of the site are neglected. The interpretation of the site has frequently focused on certain aspects of values at the expense of others. Information and insights gained from this study and specific suggestions for changing approaches are considered with regard to potential impacts on the management of the archaeological site and with regard to the public in general.     

Network Analysis and Entanglement

This article explores the extent to which formal network analysis can be used to study aspects of entanglement, the latter referring to the collective sets of dependencies between humans and things. The data used were derived from the Neolithic sites of Boncuklu and Çatalhöyük in central Turkey. The first part of the analysis involves using formal network methods to chart the changing interactions between humans and things at these sites through time. The values of betweenness and centrality vary through time in ways that illuminate the known transformations at the site as, for example, domestic cattle are introduced. The ego networks for houses across four time periods at the two sites are also patterned in ways that contribute to an understanding of social and economic trends. In a second set of analyses, formal network methods are applied to intersecting operational chains, or chainworks. Finally, the dependencies between humans and things are evaluated by exploring the costs and benefits of particular material choices relative to larger entanglements. In conclusion, it is argued that three types of entanglement can be represented and explored using methods taken from the network sciences. The first type concerns the large number of relations that surround any particular human or thing. The second concerns the ways in which entanglements are organized. The third type of entanglement concerns the dialectic between dependence (potential through reliance) and dependency (constraint through reliance).     

Reflections on the Identities and Roles of the Artists in European Paleolithic Societies

In an attempt to introduce concerns with social identities into the discussion and understanding of the making of what we call Paleolithic art, this article considers issues of gender, skill, apprenticeship, and tradition. We note that, as in every period of history, Paleolithic art can be seen as embedded in the society that studies it. Over the last 20 years, the research attention given to women in Paleolithic societies has grown considerably, leading us to ask what could have been the roles of women in Paleolithic art. On what criteria could we base a determination of those roles or of other social identities that were likely part of the making and viewing of Paleolithic art?Thanks to our microscopic analysis of engravings, it is possible to identify the skill level and expertise of the artists and thus to address the question of apprenticeship and how these techniques were transmitted. We observe many similarities that allow us to group together various works of art, sometimes from very distant sites, which indicate a movement of ideas, objects, and people. Are we talking about “imitation”? How can we define an “invention” within a social context strongly bound by traditions?