Beyond Continents,Colours, and the Cold War: Yugoslavia,Algeria, and the Struggle for Non-Alignment

While historians are paying greater attention to the role of the post-colonial Third World in international affairs, there is a tendency to focus on North–South relations and the discourse of the 1955 Bandung Conference. Relying principally on Yugoslav and Algerian archival sources, this paper re-emphasises the dynamic historicity of ‘Third Worldism’ and the significance of ‘South–South’ connections. It explores the evolution of the Third World movement in the decade following Bandung, when smaller countries and non-state movements exerted greater influence while larger actors, such as India and China, quarrelled. The founding of the Non-Aligned Movement (NAM) in 1961 represented a victory for smaller actors who took a more provocative and subversive approach to international relations, to the extent that NAM was a means for the weak to wage the cold war on their terms. Over the following half-decade, Non-Alignment supplanted Afro-Asianism as the primary organisational concept for the Third World, confirming that the Third World was a political project with a potentially unbounded membership rather than the expression of a non-Western, non-white identity.     

“Hugon come erindwards”: Finnegans Wake and Ireland’s Huguenots

This paper analyses the rich variety of allusions to the Huguenots in Finnegans Wake, and considers the reasons for Joyce’s interest in this group of Protestant émigrés. Joyce makes several references to the Saint Bartholomew’s Day massacre, the apotheosis of Huguenot persecution at the hands of the French Catholics, and he draws analogy between their experience and that of other groups of heretics and dissenters. Joyce celebrates the social, commercial, and cultural impact made by the migrants and their descendants, which was disproportionately great for the size of the diaspora. I argue that there are several reasons for Joyce’s engagement with the Huguenots. Their story of sectarian persecution, dispossession, and exile recalls the Irish Catholic experience, but it offers balance to the narrative of Catholic victimhood in depicting a Protestant group that suffered comparable oppression. Most importantly, the remarkable success with which the Huguenots integrated into Irish society offers a positive model for the plurality that Joyce espoused throughout his writing career, culminating in his final work.