Bilingual districts as an instrument in Canadian language policy

"Accommodation of a multi-ethnic population within the territory of a single state has been recognized as a world-wide problem. Within such a society language maintenance is frequently the avenue through which cultural groups seek to preserve their identity. This paper describes and evaluates the Canadian experience of language planning by concentrating on the bilingual district, the key spatial instrument in the federal Official Languages Act. The paper argues for a cautious and spatially varied application of the 1969 Act and seeks to suggest ways in which a geolinguistic analysis may further our understanding of plurilingual societies."     

OTTAWA'S TECHNOLOGY-ORIENTED COMPLEX

Development of Ottawa's technology-oriented complex (toc) has incorporated elements of four models of tocs. The federal government's key role has changed as the toc has passed through several phases. The latest phase has involved rapid growth in manufacturing. A 1981 survey reveals the age, ownership, and size of the high-technology firms, identifies the role of the federal presence as a factor stimulating the firms' development, shows purchase and sales patterns and federal contact linkages, and identifies executives' attitudes about the ability of other cities to satisfy their firms' locational requirements.
Le développement du Complexe à technologie de pointe d'Ottawa s'est fondé sur des éléments empruntés à quatre modèles de complexes similaires. Le rle crucial de l'Administration fédérale a changé en fonction des diverses phases du développement de ce Complexe, et la dernière s'est caractérisée par une croissance rapide du secteur de fabrication. Une enquěte effectuée en 1981 aporté sur l'envergure et l'ge des entreprises de pointe de ce Complexe et sur la nature des intérěts prépondérants dans chacune. Elle montre que l'intervention des autorités fédérates a accéléré le dáeveloppement des firmes, met en relief leurs habitudes d'achat et de vente et leurs points de couplage avec l'Administration fédérale et, enfin, décrit comment les cadres dirigeants envisagent les possibilités offertes par d'autres villes pour satisfaire aux besoins de leurs entreprises.     

An iconographic exploration of the “rattlesnake” gorgets of eastern Tennessee

ABSTRACT

Compared to other gorget styles and themes made during the Mississippian period, the so-called rattlesnake gorgets of eastern Tennessee have been found in fairly large numbers. Stylistically, Muller assigned these gorgets to the temporally related Lick Creek and Citico styles, while Crawford’s recent work has argued for substyles within. While their style has been studied extensively, the idea that these gorgets depict rattlesnakes generally has been accepted without further consideration. In this paper, we present the results of a systematic iconographic study of rattlesnake gorgets. Ultimately, we conclude that the image’s original referent is not just a snake but instead is intended to be a model of the cosmos at night.     

Birdmen, cemís and duhos: material studies and AMS C dating of Pre-Hispanic Caribbean wood sculptures in the British Museum

This paper presents 19 AMS radiocarbon dates from nine pre-Hispanic Caribbean (Taíno/Lucayan) wooden sculptures in the British Museum collections, provenanced to Jamaica, Hispaniola and the Bahamas. Together with strontium isotope results and wood and resin identifications, these data build a material and chronological context for some of the most recognised examples of Taíno art – from duhos (ceremonial seats) and cemís (free standing depictions of deities, ancestors and spirits) to canopied stands used to hold hallucinogenic drugs during the cohoba ceremony. Each sculpture widens our understanding of Caribbean carving traditions, stylistic variation, chronologies and material resource utilisation. A group of three sculptures recovered from Carpenters Mountains, Jamaica, carved by AD 1300 and brought together as a ceremonial ‘set’, each appear to have had their inlays renewed over a century later, suggesting long-term use. Three key examples of the main Caribbean duho categories (high-back, low-back and extended), provide insights into the diversity of styles present in the region post-AD 1100. The British Museum's corpus enables an exploration of regional styles, and potentially the work of individual artists.