A civilisation at peril: Goethe's representation of Europe during the Sattelzeit

The importance of the concept of Europe as a source of meaning and object of contested discursive battles during the fundamental transition towards modernity of the Sattelzeit (1750–1850) can hardly be overstated. The Weimar Classics (Goethe, Schiller, Herder, Wieland) made important contributions both to Enlightenment debates about Europe before the French Revolution and to the discursive battles about the continent taking place in the aftermath of the French Revolution in a context of heightened epistemic uncertainty and ideological confrontation. The paper aims to investigate Goethe's representation of Europe as an almost millenarian civilisation endangered at the end of the eighteenth century by a double process of economic and political modernisation. Particular attention is paid to how Goethe rooted his perception of Europe as a civilisation in geographic and climatic assumptions and how he compared the continent to other civilisational entities such as America, China, India or Persia. Finally, the political implications Goethe derived from his perception of Europe as an ailing civilisation shall be contrasted with democratic, romantic and conservative discourses about the continent in the aftermath of the French Revolution.     

Charting the Development of Portsmouth Harbour, Dockyard and Town in the Tudor Period

Portsmouth was crucial to the defence of Tudor England and consequently it was mapped for military planning purposes throughout the Tudor period from 1545. The resulting sequence of maps records much of the town and harbour. The maps offer opportunities for furthering our understanding of Tudor Portsmouth and its population Additionally, images of the urban landscape provided by the “Cowdray Engraving”, which depicts the loss of Henry VIII’s warship Mary Rose on the 19th July 1545, may also be considered and compared with those presented in the early maps of the town. This paper considers the Portsmouth maps of 1545, 1552, 1584 and the chart of Portsmouth Harbour dating from between 1586 and 1620. These are examined in relation to one another and compared with evidence from the Cowdray Engraving.     

The Treaty of Waitangi in Contemporary New Zealand Politics

This paper identifies three discourses that are prominent in contemporary Treaty of Waitangi policy debate, each with significantly different implications for Maori political status within the modern nation-state. At one extreme the Treaty's significance is exaggerated by overemphasis on partnership as an implicit Treaty principle. At another extreme the Treaty's significance is understated by an assimilationist position that denies the Treaty's relevance to Indigenous rights which, in turn, imposes serious constraint on the extent to which partnership can actually develop into comprehensive policy practice. An alternative position is one that sees the Treaty, which is supported in international law, as affirming a twofold conception of citizenship as the basis of both individual and collective Maori rights.     

ARREST FOR ATTEMPTED STREET THEATRE

On the eve of the royal wedding, two anthropologists and an actor – members of a street theatre troupe known as ‘The Government of the Dead’– were arrested for conspiracy to stage a performance. We adopt a Bakhtinian perspective of carnival laughter as essential to the scientific investigation of officialdom and ceremonial power.     

William Bennett's Heresy: Male Same-Sex Desire and the Art of the Eucharist

In 1869, W.J.E. Bennett, one of the most prominent Anglo-Catholic ritualists in Victorian England, was on trial for heresy. He had caused particular outrage by claiming that Jesus Christ was visually present in the Eucharist. This article explores the links between Bennett's writings and his campaign of rebuilding works at his parish church at Frome in Somerset. Bennett advanced a form of incarnational theology that was sufficiently radical that he can be said to have participated in, and even to have contributed to, the development of the visual expression of same-sex desire in later Victorian Britain. The cultural politics of the aestheticized body of Christ mean that incarnational theology can be considered in relation to the development of new forms of homoerotic expression. Bennett's visual and textual legacy suggests avenues for further research into the aesthetic aspects of Victorian religiosity and the religiosity of art.