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Baltic societies have been transformed rapidly since the beginning of the 1990s, whereas planning institutions and organizational cultures in the Baltic States have only changed rather incrementally despite various national and European pressures for reform. As a consequence, the extent of Europeanization of spatial planning has been limited in the Baltic region, and the effects of cohesion and structural policy measures have been quite modest. This paper focuses on these changes in spatial planning in the Baltic States and is divided into three main parts. The paper begins by describing the historical and cultural context of spatial development in the Baltic States. Second, it discusses processes of Europeanization of spatial planning in the specific context of the Baltic States, and third, it considers whether these processes may be leading to policy convergence in the region.  相似文献   
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In 1992, an archaeological survey of Marawah Island conducted by the Abu Dhabi Islands Archaeological Survey identified two significant Neolithic settlements known as MR1 and MR11. Both sites are constructed on prominent rocky platforms located towards the western end of the island. In 2000 and 2003, small-scale excavations took place at MR11, with the first full excavation taking place in 2004. Excavations continued at MR11 between 2014 up to 2019. Radiocarbon dating demonstrates that the site was occupied between the earliest part of the sixth millennium to the mid-fifth millennium BC. Three areas have been so far examined. Area A—a tripartite house (2004 and 2014–2017 excavation seasons); Area B—a partial structure (in 2003 and 2017–2018); and Area C—a series of at least five rooms (in 2017–2019). The results provide a valuable new insight into the architecture and planning of Arabian Neolithic settlements in the region, as well as the earliest known evidence for pearling.  相似文献   
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This study examines the poetry of two women of nineteenth-century Iran—one royal, one non-royal—and the women patrons for whom they composed praise poetry. Through the reconstruction of female-centered patronage networks and associated female-only performance venues, and via an examination of the active roles played by female patrons both in affairs of state and in the management of the immense royal harem, this study highlights the various ways in which members of several generations of women in Qajar Iran were involved in the production, dissemination and appreciation of poetry. It is argued here that these patronage and poetry production networks should be read as evidence of a female-centered literary tradition, one that was in dialogue with (and often intersected) the dominant male tradition; one that empowered the women actors within it to create a sisterhood of poets through which their art could be passed on from mother to daughter, and from daughter to granddaughter (and occasionally from mother to son).  相似文献   
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