Obituary Notice

Abstract

St Vitus’s Cathedral, founded in 1344, is a prime example of 14th-century cathedral Gothic, a product of the cooperation between the ingenious architect Peter Parler and his patron, Emperor Charles IV. The unusual layout consisted of a pair of choirs set side by side in the eastern section of the cathedral, an arrangement inspired by the earlier Romanesque double-choir basilica. One was dedicated to St Vitus and was used by the canons, the other to the Virgin Mary and operated by the mansionars. The royal and imperial necropolis was placed in the latter of the two choirs, with Charles IV’s tomb-chest protected by a sculptured canopy and surrounded by the cenotaphs of deceased family members and later kings and queens. The form of two choirs is probably the result of an extensive rearrangement of the earlier project completed in the 1350s, when initial plans to locate the royal burial ground in the canons’ choir were abandoned. The main choir contained a tabernacle of remarkable design, dating from c. 1365. There may originally have been plans for a third choir to be built around the tomb of St Adalbert located in the middle of the nave, the work on which was initiated in 1392.     

Ethnic Land Rights in Western Ghana: Landlord–Stranger Relations in the Democratic Era

In Citizen and Subject (1996), Mahmood Mamdani denounced the ‘bifurcated nature’ of the African state which, in his account, imposed ethnic hierarchy and chiefly despotism on rural dwellers while reserving democratic citizenship for the urban minority. Have twenty years of ‘decentralized democracy’ in many countries washed away these distinctions? This article takes up this issue in an analysis of the politics of land allocation and landlord–stranger relations in Western Ghana. An analysis of historical trajectories, and our own field observations and interviews in two Western Region districts, suggest that at the local level, the bifurcated character of political authority that was identified by Mamdani persists in the domain of economic rights. The record also shows that state policies and institutions, rather than working to chip away at ethnic hierarchy and chiefly authority, work at least in part to reproduce these features of the local political economy. In both non‐democratic and democratic eras, Ghana's central government has played an important role in shoring up chiefly and ethnic privilege in the land domain. These local hierarchies influence the practical meaning of democracy and economic liberalization for rural citizens, and should be explored more systematically in future studies of democratic and electoral politics in Ghana and elsewhere.     

‘We will make the happy tremble’: triumphal victimhood in Charles Robert Maturin's The Milesian Chief

Charles Robert Maturin’s The Milesian Chief (1812), long neglected, may now be ripe for closer attention, particularly for its evocation of the imagined power of suffering over audiences. Deploying a structure supplied by Sidney Owenson’s The Wild Irish Girl and Madame De Staël’s Corinne, the novel dramatizes the arrival of a cosmopolitan heroine in Ireland, her tortured romance with an Irish nobleman, and their ultimate destruction in a rebellion vaguely reminiscent of those of 1798 and 1803. Less useful for its insight into national history than for its almost anthropological grasp of deeply changing patterns of desire, the novel dramatises a struggle that ends in a striking triumphalism little noted by previous critics. The concepts of René Girard and Eric Gans are used to assess the work’s rhetoric of victimhood and its insistent emphasis on the effect of renunciations of desire on adversaries individual and collective.