Corpus cartographique pour l'histoire de Damas,Syrie, à la fin de la période ottomane (1760–1924)

Abstract

De manière générale, la cartographie des villes de l'empire ottoman est peu abondante. Au dix‐neuvième siècle, malgré plusieurs réformes administratives, l'autorité publique ne recourait pas à des documents cartographiques pour organiser les travaux d'édilité tandis que les étrangers rencontraient les plus grandes difficultés pour établir des représentations de ces villes. Damas constitue une exception à ce tableau. On dispose de plusieurs cartes antérieures à l'établissement du mandat français (1920) qui sont de qualité inégale. Les auteurs étrangers sont les plus nombreux et les plus fiables; le plus souvent archéologues ou historiens, ils ont dressé des documents partiels par toujours faciles à évaluer. Cependant, et malgré la faiblesse de son volume (sept documents), le corpus des premières cartes de Damas constitue une source essentielle pour l'histoire du développement spatial de la ville entre le milieu du dix‐neuvième siècle et l'établissement du pouvoir mandataire.     

The Geneva Conventions of 12 August 1949: from the 1949 Diplomatic Conference to the Dawn of the New Millennium

In 1949 the Swiss government convened a diplomatic conference to update international humanitarian law in the light of the tragic experiences of the Second World War. Although the proceedings were largely dominated by the fear that the coup in Prague, the blockade of Berlin and the Chinese civil war would lead to a third world war, the conference succeeded in adopting the four Geneva Conventions that are still in force today. This was a major breakthrough from a humanitarian point of view as well as a significant political success. However, in the 50 years that followed, the new Conventions were applied to circumstances that differed widely from those that their framers had in mind. Since the threat of nuclear annihilation prevented any direct and open confrontation between the superpowers, their rivalry led instead to a proliferation of internal conflicts along the fault‐lines of the Cold War. What then was the significance of the new Geneva Conventions? What are the prospects for the future of international humanitarian law? These are some of the questions that deserve our attention as the twentieth century—scarred as it was by so many wars—givesway to the twenty‐first.     

The identification of cultivated pearl millet (Pennisetum) amongst plant impressions on pottery from Oued Chebbi (Dhar Oualata,Mauritania)

The majority of the neolithic pottery from Dhar Tichitt and Oualata bears abundant plant impressions on its surface. The present study involves direct examination of these impressions and comparsion with a control series in the laboratory. The criteria for differentiation between impressions made by wild and cultivatedPennisetum are clearly defined. In the pottery from Oued Chebbi (Dhar Oualata), the existence of many many impressions of pearl millet (Pennisetum), including both wild and cultivated strains, is confirmed. It is concluded that the area around Dhar Tichitt and Oualata belongs to a non-centre zone of origin (Harlan 1975) and that,ca 3000 bp, its inhabitants knew how to use cultivated strains in an area where wild strains were also found in some abundance.

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Résumé La céramique néolithique des dhars Tichitt et Oualata présente une abondance d'empreintes végétales en surface. La présente étude—basée sur la lecture directe des empreintes sur la céramique—s'appuye sur une série de référence fabriquée en laboratoire. Les critères de différenciation, dans le genrePennisetum, des empreintes de formes sauvages et de formes cultivées sont clairement précisées. L'existence, dans les céramiques de Oued Chebbi, de nombreuses empreintes de mil du genrePennisetum et, parmi celles-ci, de formes cultivées, est affirmée. Les différentes analyses d'empreintes permettent de penser que le secteure des dhars Tichitt et Oualata appartient à la zone d'origine non-centre définie par J. Harlan (1975) et qu'aux alentours de 3000 ans bp, ses habitants savaient exploiter des formes cultivées dans un cadre où les populations de forme sauvage avaient une certaine abondance.

     

The Little Nyonya and Singapore’s national self: reflections on aesthetics,ethnicity and postcolonial state formation

Singapore’s postcolonial state formation process has combined the appeal/distress of a multiracial society with the nationalistic pride of economic development. In recent years, the city-state has witnessed a revival of Peranakan culture and history, referring to the descendants of early Chinese immigrants who integrated into Indigenous societies before becoming prized mediators for British colonisers in the nineteenth and twentieth centuries. We question how these references are strategically deployed as part of the process of postcolonial state formation and how their aesthetic representations support public discussions and debates about what defines contemporary (Chinese) Singaporean identity. By examining Peranakan representations in the television series The Little Nyonya from a Deleuzian perspective, it will be argued that Peranakan history and culture are mobilised to de-territorialise previous meanings of national ethnic markers, specifically Chineseness, and to re-territorialise a local sense of Indigeneity. In reaction to concerns over Mainlander identity, representations of Peranakan culture and history in The Little Nyonya support the indigenisation of a specific Chinese identity that is accessible to all Singaporeans, offering an aesthetic framework in which the ongoing process of negotiating between Singapore’s national self and other unfolds.