宋元仿古青铜器上的纹样

宋代曾掀起过复古运动,徽宗时达到极盛。目的是希望通过恢复、再现＂三代＂礼制,以求治国和加强皇权。这场复古运动,皇帝与士大夫阶层是最热衷的实践者,寄托了他们强烈的政治抱负与理想。复古运动的性质决定了作为重要载体的宋代仿古青铜器,以礼器占大宗,当然,陈设与实用兼具的器物也有不少。大致可归成以下几类用途：     

Firing technique characterization of black-slipped pottery in Praeneste by low field 2D NMR relaxometry

This study was aimed at individuating characteristics related to the pottery’s firing technique of Classical Roman producers, through the low field single-sided NMR relaxometry. The approach is based on a recent method of analysis, the correlation of the longitudinal and transverse NMR relaxation times of a liquid probe (in this case distilled water) filling the porous system of ceramics. The analyzed findings form two homogeneous classes with dating and place of production well established through the producer trademarks. Pottery findings belong to the black-slipped pottery productions of the Latin ancient city of Praeneste between third and second century B.C. and have been attributed to two different ”patriziae” production families: gens Samiaria and gens Trebonia. A further fragment with Greek kylix style, found in the same archaeological area, has also been analyzed, in order to understand if it had been imported from Greece, or made in Praeneste in imitation of the Greek style.     

面对真诚的真实评价——序康启昌散文评论集《我的朋友对我说》

2008年新年的前夕,我办完事从外面回来,正好碰上康启昌大姐来到我的住宅楼下给我送来还没有整理完的书稿。我接过那厚厚的稿子,没说上几句话,她着急办事,便匆匆地走了。我看着她远去的身影,从她的身影我想到散文作家鲁野先生,他与康启昌都是凤城人。风城,又是我在80年代曾经工作过的地方。     

拉萨八廓历史文化街区旅游发展居民感知研究

历史街区是特定地域历史、社会、文化的核心载体,兼具遗产保护、旅游开发价值,在历史街区旅游发展过程中,如何平衡保护与开发是历史地段发展一直面临的挑战。拉萨市八廓街为\"中国历史文化名街\",代表着藏族历史文化街区的价值与特色,同时也是西藏集宗教、文化、旅游、商业为一体的重要旅游吸引物。本文以八廓街历史文化街区为例,通过实地观察及问卷调查等方式,探讨旅游开发影响与居民感知之间的关系。研究表明,旅游对于地方经济的积极效益已得到普遍肯定,但是旅游对历史街区的具体作用,尤其是对社会文化负面影响的表现是存在分异的,由此也形成了居民态度的差异。     

The ‘She-Land,’ social consequences of the sexualized construction of landscape in North Patagonia

This article voices a perspective founded in gender geography and regional history, through the study of the symbolic constitution of core and peripheral areas inside Chile and Argentina. This analysis focuses upon the Patagonian territory and aims to reveal the use of female stereotyped metaphors as the basis for territorial subalternity. At this point, revision of Patagonian history shows that this construction of landscape is related to territorial integration, and could have been seen as gender ideology because of the metaphors involved in the State's arguments. This idea is illustrated with an ongoing nationalist discourse established in Patagonia since the 1930s, which operates as a permanent patriarchal reference and allows the projection of gender metaphors in land. It also takes the particular experience of Patagonian women to question the recognition of the problem behind the construction of landscape and the geographical and historical patriarchal order. As a result of this process, the possibility to argue against the subordination of the region emerges from highlighting feminine metaphors of land and feminine praxis, which nowadays confront both the landscape's official interpretation and an unequal access to resources.