BOOK REVIEW

This article examines the transition from cultural industries to creative industries policies in the English regions between 1980 and 2010. It argues that audio-visual policy in this period is best understood as a trajectory: the gradual, differentiated, contested, but overall coherent development of a policy discourse and corresponding institutional structure. This trajectory can be mapped onto the wider political economy of the period: the transition from social-democratic reformism to neo-liberalism at the end of the 1970s and up to the present. This process has resulted in audio-visual policy being determined to a large degree by the perceived needs of commercial interests, up to the point where regional cultural policy is virtually indistinguishable from economic policy. The transition from cultural to creative industries reflects the development of the neo-liberal state in which cultural policy has been instrumentalised within the larger project of the privatisation of public assets and the shift of relative power from labour to capital.     

Proactive Crisis-management Strategies and the Archaeological Heritage

Heritage organisations depend on public support, which presupposes a reputation for responsible custodianship, technical expertise, sound financial management and sensitivity to conflicting public expectations (e.g. conservation and public access). Public support, however, can be fickle; a reputation can be severely damaged in a few days as a result of an unexpected crisis. Heritage managers have traditionally adopted a reactive approach to crisis handling. Such approaches frequently give rise to panic-driven responses, which amplify the scale of the original crisis and lead to a breakdown of trust among stakeholders. Having explored some examples of crises in the management of the archaeological heritage, this paper concludes with a case for managers to develop proactive crisis-management strategies. The proposed framework recognises its symbiotic relationship with the disciplines of strategy and reputation management. It incorporates three key elements: the identification and evaluation of risks; procedural arrangements for operating in a disaster situation; and effective communications to ensure the continuing support of stakeholders.     

CRITICAL REFLEXIVITY AND SEXUALITY STUDIES IN ANTHROPOLOGY: SITING SEXUALITY IN RESEARCH,THEORY, ETHNOGRAPHY,AND PEDAGOGY

Feld, Steven and Basso, Keith, eds. Senses of Place. Santa Fe, NM: School of American Research Press, 1996. 293 pp. $24.95 paper. Clifford, James. Routes: Travel and Translation in the Late Twentieth Century. Cambridge, MA: Harvard University Press, 1997. 408 pp. $17.12 paper.     

Slavery discourse before the Restoration: The Barbary coast,Justinian's Digest,and Hobbes's political theory

Seventeenth-century natural-law philosophers participated in colonizing and slave-trading companies, yet they discussed slavery as an abstraction. This dispassionate approach is commonly explained with the “distance thesis” that the practice of slavery was at some remove from Northwest Europe. I contest the thesis, with a specific focus on pre-Restoration English discourse and Hobbes's political theory. By laying out the salient context — English experience of Barbary-coast slavery and an inherited neo-Roman intellectual frame — I argue, first, that slavery was hardly a distant phenomenon and, second, that Hobbes's discussion of slavery expressed ideas familiar in ordinary discourse. The conclusion contrasts the English neo-Roman outlook with Spanish neo-Aristotelianism.     

Post conflict identities: Affiliations and practices of Somali asylum seeker children

Following the 2005 terrorist attacks on London it emerged that two of the terrorists charged with the failed 21st July bombings had arrived in the UK as child asylum seekers from East Africa. In the ensuing debate the bombers were represented as children that turned to hate. In this discussion paper we draw on empirical work conducted in Sheffield, UK to explore the identities, affiliations and practices of Somali asylum seeker children, aged 11–18.1 ¹This ongoing research is being funded by the ESRC Identities and Social Action Programme (Award No: RES-148-025-0028) View all notes Specifically, we argue that the actions of the two bombers need to be framed within a broader understanding of the complex processes of social identification that take place as young people negotiate what it means to be a child in the context of different ‘age’, gender and racialised expectations and against a backdrop of discrimination and social exclusion in different relational geographical spaces. We begin by outlining the context of UK immigration policy, before reflecting on dominant constructions of both childhood and asylum seekers. We then discuss how these may shape young refugee and asylum seekers' own narratives of the self and the role that their mobility and specific sites of identity formation may play in this process. In doing so, we contribute to children's geographies by addressing a group – refugee and asylum seekers – that has been neglected within the sub-discipline.     

Creating the semi-living: on politics, aesthetics and the more-than-human

Though geographers have remarked on the aesthetic and political character of a technoscientific biology, there has been an accompanying tendency, following disciplinary trends and social theory more broadly, to read these as being separate issues at the analytic as well as substantive level. Whereas the former becomes read as a matter of artistic practice and appreciation, or visual appraisal, the latter is considered to be the exercise of power through discipline and regulation. Here, I draw upon Rancière's The Politics of Aesthetics (2007, Continuum, London) to make a stronger claim for the role of the aesthetic, wherein a political regime is understood to be comprised of a 'distribution of the sensible' that orders what can be seen and what can be said about it, that determines who has the ability to see and to speak, that organises the properties of spaces and the possibilities of time, and that locates the identity of the quick and the dead within a grid of intelligibility. Political struggle is necessarily aesthetic insofar as it is an attempt to reconfigure the place not only of particular groups, but also the social order within which they are embedded. For Rancière, artistic practices are but particular ways of making and doing; they can have a distinctly political function, however, in the way that they reorder the relations among spaces and times, subjects and objects. To animate this discussion I draw on examples from critical BioArt that address the more-than-human world of Semi-Living Objects. From overt manifesto to ironic commentary, the practices, understandings and artefacts that comprise BioArt work to challenge the political, economic, cultural and ethical contexts within which a modern-day technoscientific biology operates.