Euganean trachytic grinding stones in the Caput Adriae from the Iron Age to the Roman period: Reassessment of the Protohistoric quarries

A group of Euganean trachytic grinding stones from Slovenia and the available data about the same type of artefacts in the whole Caput Adriae are presented. The occurrence of Iron Age saddle querns in Karst and Istria is confirmed, but our study suggests a likely provenance from Mts Cero/Murale instead of Mts Altore/Rocca Pendice, as previously suggested. Este, an important Venetic centre, is just south of Mts Cero/Murale, suggesting its central role in the production and distribution of saddle querns. During the Roman period Euganean trachytes are still used for rotary millstones, but new quarries (Mt Rosso), relatively close to ancient Padua, are exploited. Such shift in the position of millstone quarries most probably reflects the changed geopolitical framework.     

Imported memories: the Italian audience and the reception of American movies about the Second World War

Memories of the Second World War played a central role in shaping the European imaginary and in founding the European political order after 1945. Nevertheless, while the Second World War was a global event, its memories have been mainly studied from a national point of view, thus underestimating the conspicuous phenomena of transmission of narratives and representations of the conflict from one country to another. This article analyzes the Italian reception of American movies about the Second World War, as a way to overcome the preponderance of a nation-centered perspective and to open up to a transnational analysis mainly based on the concepts of communication, diffusion and exportation of cultural products. After a theoretical introduction, the article analyzes an original source of great use for the study of the reception of American movies: the evaluation forms produced by the audience of an Italian cineforum about five American war movies in the 1960s. The importance of the source lies in its rarity: direct testimonies of the opinion of a non-specialist public about a movie are very rare, and thus extremely precious for a bottom-up approach to such issues.     

The impact of language borders on the spatial decay of agglomeration and competition spillovers

There is now strong evidence that “soft” institutions are interrelated with the working of the economy. For example, in a geographical setting there is evidence that language borders affect interpersonal relationships, but there is no equivalent evidence regarding the effects of language borders on agglomeration or competition spillovers. This paper examines whether language affects the geographical extension of agglomeration and competition spillovers by observing the geography of employment patterns in a linguistically discontinuous setting. Our findings, for the first time, provide empirical evidence that language borders shape the distance decay of competition spillovers, independent of governance, and institutional issues.     

The American war: Italian culture and Hollywood movies on the Second World War

Abstract

This article deals with the reception of American narratives on the Second World War in Italy, assuming the key role that myths and memories about the conflict played in post-war Europe and the importance of transcultural exchanges in the mass-media age. Such narratives were not imported to Italy by official US propaganda, but were mainly conveyed by Hollywood war movies, which were centred on the ideas of the righteousness of the conflict and of the fight between good and evil. The article focuses on a specific sector of the Italian audience, that of critics and film reviewers, who played a key role in interpreting the films and in fostering their acceptance – or refusal. Through the analysis of cinema magazines and newspapers, the research outlines how the reception of such movies was influenced by multiple elements, the different political and ideological allegiances, the cultural gap between elite and popular periodicals, and the interactions with Italian myths and memories about the war. Finally, the article compares the results of the inquiry with the rare sources about the reception of American narratives among a mass audience, and underlines the importance of a transnational approach to the study of cultural issues in contemporary history.     

Anarchism,Modernism, and Nationalism: Futurism’s French Connections, 1876–1915

This article examines two of the most significant Italian political movements at the turn of the twentieth century—anarchism and Futurism. Although these movements shared a common vocabulary and rhetoric, they contrasted sharply in their aims and objectives. I address three interrelated questions: How were these movements and their ideologies related to, and perceived by, the ruling elites? What were their mutual influences and inspirational centre? Did both movements share a broader core ideology? To answer these questions, I explore the links, parallels and dissimilarities between anarchism and Futurism in the context of the nationalist mass mobilizations preceding World War I. In line with Emilio Gentile’s landmark analysis, I identify the core ideology of Futurism as a potent blend of nationalism and modernism. Futurism’s double matrix is thus contrasted with the theory and practice of anarchism, the two displaying sharply differing relationships with political power. I also consider the links between Italian Futurism and French ultra-nationalism as championed by prominent intellectuals, beyond Paris’ artistic epicentre, where art and politics intermixed. I conclude that the fusion of modernism and nationalism was central to twentieth-century ideological radicalization to which Futurism fully belonged, but from which anarchism eventually dissociated itself.     

Ernest Gellner as Critic of Social Thought: Nationalism,Closed Systems and the Central European Tradition

Book reviewed: Gellner, Ernest, Language and Solitude: Wittgenstein, Malinowski, and the Habsburg dilemma.