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The well attested (and comprehensively studied) animus that informed English attitudes towards the Gaelic-speaking peoples of the British Isles in the twelfth and thirteenth centuries has tended to obscure important developments in the legal landscape of contemporary Scotland. This article argues that soon after 1200, the king of Scots deliberately abandoned as barbaric, obnoxious and unbecoming a Christian prince the practice of mutilating high-status political enemies and ritually defiling their bodily remains. The transformation reflected influences from England and Europe in general, but the argument here is that ultimately the change reflected the maturation of the Scottish ideas about Christian kingship, royal justice and royal mercy.  相似文献   
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David Plante’s American Ghosts (2005) and Robert Cormier’s Fade (1988), autobiographical narratives about growing up in southern New England in French Catholic neighborhoods called Little Canadas, both employ the trope of invisibility to convey the ethnic community’s lack of presence, agency, or permanence within an englobing American culture that progressively erodes the foundations of its cultural otherness. Both texts hinge upon cultural erasure. In Plante’s memoir, in which he seeks to gain access to his cultural past, his childhood self is haunted by the ghosts of his Indian forebears and his adult self, by the ghosts of his parish. These supernatural beings who shuttle between absence and presence signal the loss of cultural memory and identity that assimilation engenders. Cormier’s novel chronicles the effects of invisibility on three “faders” representing first-, second-, and third-generation French Canadians in New England. A metaphor for the progressive loss of ancestral heritage in the adopted land, Fade offers a portrait of the gradual disintegration of Frenchtown from its heyday in the 1930s to its dissolution in the 1960s.  相似文献   
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