Memory, Distortion, and History in the Museum

Museums are conventionally viewed as institutions dedicated to the conservation of valued objects and the education of the public. Recently, controversies have arisen regarding the representation of history in museums. National museums in America and Germany considered here, such as the Smithsonian's Air and Space Museum, the Holocaust Memorial Museum, and the German Historical Museum, have become sites of contention where national histories and personal memories are often at odds. Contemporary art installations in museums which take historical consciousness as their theme similarly raise contentious issues about public knowledge of and personal interest in the past. When members of publics find that their memories of the past or their expectations for museum experiences are not being met, a kind of "distortion" occurs. The "distortion" related to memory and history in the museum is not so much of facts or interpretations, but rather a distortion from the lack of congruity between personal experience and expectation, on the one hand, and the institutional representation of the past on the other. This essay explores the possibilities for a redefined relationship between personal memory and history that is experienced in contemporary museums.     

The Smiling Abbot: Rediscovering a Unique Medieval Effigial Slab

The article reports on a newly re-discovered fragment of a recumbent effigial slab commemorating Abbot Hywel (‘Howel’), most likely an abbot of the Cistercian house of Valle Crucis, near Llangollen (Denbighs.). The slab was probably carved very early in the fourteenth century, and could have covered the abbot’s burial place. The stone was dislocated and fragmented at an unknown point in the abbey’s history, and most likely removed from the site during the nineteenth-century clearance of the abbey ruins. It was briefly reported on in 1895 and has been lost to scholarship subsequently.

If indeed from Valle Crucis, the stone is the only known effigial slab commemorating a Cistercian abbot from Wales, and a rare example from Britain. Given that few similar Cistercian abbatial monuments have been identified from elsewhere, the ‘Smiling Abbot’, although only a fragment, is a significant addition to the known corpus of later medieval mortuary monuments. The article discusses the provenance, dating, identification and significance of the monument, including the abbot’s distinctive smile. The stone sheds new light on mortuary and commemorative practice at Valle Crucis Abbey in the early fourteenth century.     

Cultural globalization and the dominance of the American film industry: cultural policies,national film industries,and transnational film

The global film market is a strategic site for examining the global influence of American media culture. Using a database compiled by the European Audiovisual Observatory, I show that the global film market consists of 34 countries that produce over 25 films per year. Thirty-two countries produce less than 26 films. The countries that produce over 25 films per year were categorized as Super Producers (four countries), Major Producers (seven countries), Medium Producers (11 countries), and Minor Producers (12 countries). Lists of top 10 films in these countries show that US films dominate, followed by local films. A discussion of national cultural policies shows that film policy contributes to the success of national film industries but does not enable them to challenge US dominance. Hollywood’s need for global box office receipts has led to changes in the content of Hollywood film toward deculturized, transnational films, a trend that is also evident in other countries.     

Law,memory, and priestly office in Rome,c.500

This essay sets the development of Christian thinking about law and clerical office in the wider context of the discussion of office in the later Roman empire. It offers a reassessment of the work of Dionysius Exiguus, a well‐known translator from Greek into Latin of the Acts of the fourth‐ and fifth‐century church councils, and a compiler of papal decretals. The essay attempts to place Dionysius’ work in its immediate Roman context, in the context of fifth‐century canonical activity, especially in North Africa, and in the more general context of the political culture of office‐holding in the late Roman polity. Central here is the tension between bureaucratic regulation and autocratic room for manoeuvre. Dionysius did not attempt fully to resolve this tension, though he did attempt to contain it.     

Cities,Racialized Poverty,and Infrastructures of Possibility

This essay argues that the study of urban poverty is too often characterised by the disappearance of specific people and bodily politics from our analytic frames, rendering modes of life and politics illegible to scholars. We call for attention to the embodied politics of knowledge production, as neighbourhoods surrounding universities are exploited first as laboratories for poverty scholarship—exemplified in the relationship between the Chicago School’s theory of human ecology and the racialised real estate markets—and then as devalued spaces for creative industries. Following work at the intersection of urban studies and American studies, we call for a relational reading of the archives of dominant poverty scholarship, and for scholarship attentive to the body—as a knowledge project only ever partially recorded in fieldnotes or the archives—as a key site for politics.