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This article discusses the development of the Livens Large Gallery Flame Projector, a massive British flamethrower that was used against German trenches in the Battle of the Somme in 1916. Built underground within tunnels below No Man’s Land, this secret weapon was an attempt to use technology to break through German defences and reduce British casualties. The flame projector was the most effective flamethrower developed in WWI, but proved to be too inflexible and expensive to be widely used. 相似文献
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Tony Bennett 《History & Anthropology》2014,25(2):150-170
This paper explores the implications of Foucault's perspective of liberal government for approaches to the practical history of anthropology. It also draws on assemblage theory to consider the changing relations between field, museum and university in relation to a range of early twentieth-century anthropological practices. These focus mainly on the development of the Boasian paradigm in the USA during the inter-war years and on the anthropological practices clustered around the Musée de l'Homme in the 1930s. Key steps in the argument focus on the role of what Foucault called “transactional realities” in mediating the practical applications of anthropology in colonial contexts and in “anthropology at home” projects. Special consideration is also given to the increasingly archival properties of anthropological collections in the early twentieth century and the consequences of this for anthropology's relations to practices of governing. 相似文献
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Peter Campbell 《European Planning Studies》2014,22(5):995-1009
This paper posits that a set of “creative industries” centred around cultural practice have played a key role within a dominant “economic imaginary” in recent years. The success and stability of this role is considered, and a coherent position regarding the nature of creativity is outlined. Examination of the “evidence” gathering projects used to bulwark this position, however, reveals how the data which emerge from such projects may no longer appropriately serve to support the position the creative industries have come to occupy within the dominant imaginary. It is argued that this imaginary persists in providing a coherent framework for understanding and for action, however, regardless of the contradictions it contains. A tangible example of this “imaginary success” is briefly considered within the UK context, via an examination of developments around the staging of the European Capital of Culture programme in Liverpool, England in 2008. In this case, it is also argued that apparent contradictions are successfully concealed by dominant positions regarding culture and creativity. In conclusion, some explanations for this state of affairs are considered, and it is argued that the increased attention being paid to cultural creativity may render the continued concealment of these contradictions untenable. 相似文献
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Linda Wirf April Campbell Naomi Rea 《Gender, place and culture : a journal of feminist geography》2008,15(5):505-518
The existence of gendered knowledge has been identified as a significant feature of Indigenous Australian culture, and the importance of considering the implications of gendered environmental knowledge in collaborative cross-cultural natural resource management has been highlighted. There is a lack of case studies that demonstrate how Indigenous women's knowledge and laws can be provided for in resource management contexts. From collaborative research with Anmatyerr women in central Australia, we discuss the implications of gender bias in relation to gendered knowledge in natural and cultural resource management, with a specific focus on Anmatyerr women's involvement in providing inputs about the cultural values of water within water allocation planning processes. This research highlights Anmatyerr women's own perspectives of their roles in contemporary contexts and identifies the existence of cultural change and continuity in relation to rights and responsibilities around water. 相似文献
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ABSTRACT The spatial intensities of both industries and population are highly uneven across space. Moreover, these intensities differ not only across industries, but also change through time. Nevertheless, we show using Japanese data for metropolitan areas in two time periods that the location intensities of both industries and population are linked by surprisingly simple and persistent patterns. In particular, we identify a strong negative log‐linear relation between the number and the average (population) size of metro areas in which a given industry is found. This relation, which we designate as the Number‐Average Size (NAS) Rule, is also shown to be intimately connected to both the Rank‐Size Rule and Christaller's (1966) Hierarchy Principle applied to metropolitan areas. In particular, we show mathematically that in the presence of the Hierarchy Principle (which holds quite well in Japan) this NAS Rule is essentially equivalent to the Rank Size Rule. 相似文献