(Re)Building Çatalhöyük: Changing Virtual Reality in Archaeology

Building virtual models of archaeological sites has been seen as a legitimate mode of representing the past, yet these models are too often the end product of a process in which archaeologists have relatively limited engagement. Instead of building static, isolated, uncanny, and authorless reconstructions, I argue for a more active role for archaeologists in virtual reconstruction and address issues of representational accuracy, personal expression in avatars and peopling the virtual past. Interactive virtual worlds such as Second Life provide tools and an environment that archaeologists can use to challenge static modes of representation and increases access to non-expert participants and audiences. The virtual model of Çatalhöyük in Second Life is discussed as an ongoing, multivocal experiment in building, re-building, and representing the past and present realities of the physical site.     

Pencils and Pixels: Drawing and Digital Media in Archaeological Field Recording

Within the context of a growing emphasis on digital recording, what is the place of analog drawing in archaeological fieldwork? In this article, we situate the increased application of digital drawing methods by providing several historical examples of archaeological field drawing in British archaeology to demonstrate the connection between understanding the archaeological record and illustration. Given this background of analog archaeological recording, we then explore the current state of archaeological field drawing and the affordances of digital illustration for recording and interpreting the archaeological record, review literature in architecture and design regarding the cognitive function of analog and digital drawing, and discuss the possible future implications of born-digital or paperless archaeology.     

Fieldwork as cultural process

Butler, Barbara, and Diane Michalski Turner, eds. Children and Anthropological Research. New York and London: Plenum Press, 1987. xi + 161 pp. including chapter references and author and subject indices. $39.50 cloth.

Friedrich, Paul. The Princes of Naranja: An Essay in Anthrohistorical Method. Austin: University of Texas Press, 1986. xx + 305 pp. including appendices and notes. $29.95 cloth, $12.95 paper.

Alverson, Marianne. Under African Sun. Chicago: University of Chicago Press, 1987. xiii + 233 pp. including photographs and glossary. $19.95 cloth.     

Managing the risk of climatic variability in late prehistoric northern Chile

The concept of risk management encompasses the diverse strategies employed in preventing and mitigating losses associated with social and environmental calamities. Building on the growing literature on risk, we use archaeological data from the Tarapacá Valley, located in northern Chile, to document the risk-reduction tactics mobilized by the valley’s inhabitants to navigate the increasingly volatile environmental and social conditions of the Late Intermediate Period (AD 1000–1450). With the onset of exceptionally unpredictable environmental conditions after AD 1100, residents of the Tarapacá Valley chose strategies such as increased trade and agricultural diversification and extensification to minimize shortages in staple resources. Threats of raiding and intra-community strife exacerbated the risks associated with subsistence shortfalls. Valley communities elected a number of strategies to curtail conflict-induced risk, including movement of settlements and field systems to defensible locations, construction of walls and other defensive features, and the introduction of plazas. Rock art data suggest that trade was increasingly embedded in ritually sanctioned events involving groups from different ecological zones. While studies of risk have focused disproportionately on environmental hazards, subsistence-related crises are often compounded by social hazards that require their own risk-mitigating strategies, further constraining options for coping with subsistence stress.     

Archaeology and the Moving Image

Archaeological filmmaking is a relatively under-examined subject in academic literature. As the technology for creating, editing, and distributing video becomes increasingly available, it is important to understand the broader context of archaeological filmmaking; from television documentaries to footage shot as an additional method of recording to the informal ‘home videos’ in archaeology. The history of filmmaking in archaeology follows innovations within archaeological practice as well as the availability and affordability of technology. While there have been extensive analyses of movies and television shows about archaeological subjects, the topic of archaeological film has been characterized by reactions to these outside perspectives, rather than examinations of footage created by archaeologists. This can be understood to fall within several filmic genres, including expository, direct testimonial, impressionistic, and phenomenological films, each with their own purpose and expressive qualities. Footage taken on site can also be perceived as a form of surveillance, and can modify behaviour as a form of panopticon. Consequently, there are considerations regarding audience, distribution, and methods for evaluation, as these films are increasingly available on social media platforms. This paper explores the broad context for archaeological filmmaking and considers potential futures for the moving image in archaeology.     

Later Neolithic Woodland and Regeneration in the Long Barrow Ditch Fills of the Avebury Area: The Molluscan Evidence

Modern data on molluscan migration rates are applied to the sub-fossil record obtained from Neolithic long barrow ditch fills of the Averbury region. It is demonstrated that it is theoretically possible to consider the maximum and minimum distances of woodland from a number of long barrow sites. The problems and potential of such calculations are addressed.