The First ‘Urnfields’ in the Plains of the Danube and the Po

Journal of World Prehistory - Archaeological research is currently redefining how large-scale changes occurred in prehistoric times. In addition to the long-standing theoretical dichotomy between...     

Establishing the Middle Sea: The Late Bronze Age of Mediterranean Europe (1700–900 BC)

Journal of Archaeological Research - The Late Bronze Age (1700–900 BC) represents an extremely dynamic period for Mediterranean Europe. Here, we provide a comparative survey of the...     

Actualism and the Fascist Historic Imaginary

This essay argues that, just like liberalism and communism, fascist ideology was based on a specific philosophy of history articulated by Giovanni Gentile in the aftermath of World War I. Gentile's actualist notion that history “belongs to the present” articulated an immanent vision of the relationship between historical agency, representation, and consciousness against all transcendental conceptions of history. I define this vision as historic (as opposed to “historical”) because it translated the popular notion of historic eventfulness into the idea of the reciprocal immanence of the historical and the historiographical act. I further show that the actualist philosophy of history was historically resonant with the Italian experience of the Great War and was culturally modernist. I insist, however, that the actualist catastrophe of the histori(ographi)cal act was also genealogically connected to the Latin‐Catholic rhetorical signification of “presence” that had sustained the development of Italian visual culture for centuries. Accordingly, I argue that the fascist translation of actualism into a historic imaginary was at the root of Italian fascism's appeal to both masses and intellectuals. Fascism presented itself as a historic agent that not only “made history,” but also made it present to mass consciousness. In fact, I conclude by suggesting that the fascist success in institutionalizing a proper mode of historic representation in the 1920s, and a full‐blown historic culture in the 1930s, may have also constituted a fundamental laboratory for the formation of posthistoric(al) imaginaries.     

The Port‐Vendres 4 Shipwreck Cargo: evidence of the Roman wine trade in the western Mediterranean

The Port‐Vendres 4 shipwreck is evidence of coastal export trade between Hispania Citerior and Narbonne in 40/30 BC. The cargo is made up of a particular assemblage of Roman wine amphoras (Pascual 1, Dressel 1B and Lamboglia 2) destined for Gallic markets. Archaeological and archaeometric analyses conducted on a selection of the amphoras allowed the provenance of the cargo to be identified as Hispania Citerior and the central‐southern Tyrrhenian coast of Italy. Iluro and/or Baetulo are proposed as the ports of departure, enabling the reconstruction of the trade route and the historical and economic significance of this shipwreck.     

Crack Patterns Induced by Foundation Settlements: Integrated Analysis on a Renaissance Masonry Palace in Italy

This study presents some numerical results related to the analysis of the structural damage of a historic masonry building, Palazzo Gulinelli, in Ferrara, Italy. A detailed analysis of the inhomogeneities of the facade, historic documentation, and recent restoration interventions carried out in an adjacent building, suggest that the Palace underwent various modifications both on the structural configuration and on the borne loads. Such modifications might be the main cause of some differential settlements and of the consequent significant crack pattern on the load-bearing walls. Therefore, in the present paper the occurrence of a crack pattern on the facade is simulated by carrying out standard linear and non-linear finite element (FE) homogenized models; differential settlements are applied in order to reproduce the structural changes occurred over time. Previous experiences of the authors (for example, Acito and Milani in 2012 and Mallardo et al. in 2008), the current crack pattern of the building (of its facade in particular) and the monitoring data referring to some of them are the main references for the analysis carried out. The structural survey, the numerical results, and the data monitoring suggest two main conclusions: 1) a good correlation between numerical results and monitoring data is assessed, therefore the cracks can be reasonably related to past differential settlements; and 2) the cracks/damage that occurred as a consequence of differential foundation settlements reduce the ability of the facade to resist seismic actions.     

A hypothesis on different technological solutions for outdoor and indoor Roman wall paintings

The determination of the chemical composition of different parts of wall paintings (pigments, mortars and binders) provides information about technology of preparation of an artefact. Herein, we present a multi-methodological characterisation of wall paintings from a Roman archaeological site in Cuma, focusing on differences between an indoor (domus) and outdoor fabrication (a temple, Tempio con Portico (TCP)). Both pigments, binders and mortars were studied via a combination of destructive/μ-destructive (mass spectrometry, ionic chromatography, ICP-based techniques) and non-destructive (Raman microscopy, small-angle neutron scattering (SANS) and X-ray diffraction) methodologies. Particularly, the systematic presence of dolomite only in mortars from TCP may suggest an intentional use of such limestone for the outdoor fabrication of public interest. Differences between TCP and domus are also related to the composition of the pigment binder. In particular, the detected binders (studied by LC-MS/MS and GC-MS) were proteinaceous in the case of domus (possibly egg and animal glue) and drying oils in the case of TCP. Ultimately, our multi-methodological study provides an overall picture of the material components of paintings from fabrications with different use, proposing a hypothesis on technological choices according to conservative and destination reasons.     

Bordering on anthropology the dialectics of a national tradition in Mexico

This paper explores knowledge production within the framework of a «national anthropology». Mexico developed one of the earliest, largest and most successful «national» anthropologies of the postcolonial world, yet it has been haunted by constant absorption of its leading practitioners into the state apparatus and by a sense of intellectual discontinuity and isolation. The author explores four aspects of Mexican anthropology in the historical contexts in which they emerged: the role of the discipline in shaping a national image (1850–1900); its strategies of intervention in the modernization and «incorporation» of the indigenous and «backward» population (1880–1930); its role in the regulation of a development orthodoxy (1940–1968); and its role in the reformulation of a national image in the face of massive urbanization (1968–1980s).